Bold white brushmarks sweep across gray stoneware. This is the gesture itself — not decorating a surface, but becoming one.
Yasuda Michio works in the hakeme tradition, where the brushstroke carries the full weight of intention. Here, the white slip moves freely over the clay body, leaving marks that are immediate and alive. Nothing calculated. Nothing corrected.
The three-footed base — mitsu-ashi — is a direct inheritance from Korean Koryo ceramics. Japanese tea masters of the Momoyama period looked to these forms and found in them something already complete. Yasuda returns to that source with clarity.
The foot carries the bowl lightly. The interior pools and settles. In use, the hakeme lines read differently than they do at rest — the brushwork shifts with the angle of morning light.
Wabi-sabi character. The gestural energy does not diminish with time.
Dimensions: 13.5cm diameter × 7cm height Condition: Good — no chips, no cracks Includes: Tomobako (original wooden box)
For the collector drawn to the Korean-Japanese aesthetic inheritance. For the practitioner seeking a bowl that asks nothing of you except presence.
🔹 [ BASIC DETAILS ] • Dimensions: 13.5 cm diameter x 7 cm height • Condition: Good condition. No chips or cracks. • Includes: Tomobako (artist-signed box)
🔹 [ SHIPPING & PACKAGING ] • Dispatch: Within 1-6 business days • Carrier: Japan Post EMS / UPS (with tracking) • Packaging: Carefully wrapped with protective materials
