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Tanaka Kenchi II Vermillion Nakatsugi - Shu-nuri Lacquer Tea Caddy with Signed Box
Tanaka Kenchi II Vermillion Nakatsugi - Shu-nuri Lacquer Tea Caddy with Signed Box
Regular price
Dhs. 1,349.00 AED
Regular price
Sale price
Dhs. 1,349.00 AED
Taxes included.
Shipping calculated at checkout.
Embrace pure elegance with this pristine Vermillion Lacquer Tea Caddy. This Nakatsugi Natsume is a Japanese Tea Container by Tanaka Kenchi II featuring classic Shu-nuri finish—a refined Japanese Art Collectible and Authentic Japan Art for any Art Collector seeking Matcha Tea Ceremony utensils in new condition.
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🔹 [ PRODUCT DETAILS ]
• Artist: Tanaka Kenchi II (二代 田中健智)
• Origin: Japan
• Type: Nakatsugi (中次) - Cylindrical Tea Caddy
• Technique: Shu-nuri (朱塗) - Vermillion lacquer
• Dimensions: Diameter approx. 6.6 cm × Height approx. 6.6 cm (2.6" × 2.6")
• Materials: Wood core, vermillion and black urushi lacquer
• Packaging: Tomobako with artist documentation
• Condition: New/Unused
• Style: Classic Japanese / Minimalist Zen
━━━━━━━━━━━━━━━━━━━━
🔹 [ ABOUT THIS PIECE ]
This nakatsugi represents lacquerware at its most essential—pure form, perfect finish, no ornament to distract from the beauty of vermillion urushi itself. The cylindrical shape divides at the middle (hence "nakatsugi," meaning "joined in the middle"), allowing the lid and body to nest seamlessly.
The exterior glows with rich shu-nuri vermillion, while the interior reveals deep black lacquer, creating a dramatic contrast when opened. This interplay of red and black embodies the yin-yang philosophy underlying Japanese aesthetics—opposing forces in perfect balance.
🔹 [ WHY CHOOSE THIS NAKATSUGI? ]
Tanaka Kenchi II continues a distinguished lineage of lacquer artisans. This piece arrives in new, unused condition—a rare opportunity to begin a tea utensil's journey from first use. The minimalist form makes it versatile for any tea gathering, while the signed tomobako ensures provenance.
🔹 [ CULTURAL SIGNIFICANCE ]
The nakatsugi form emerged in the Momoyama period as tea masters sought vessels embodying restraint and directness. Unlike decorative natsume, the nakatsugi relies entirely on proportion, color, and surface quality to convey beauty. It represents the tea philosophy of finding profundity in simplicity.
*"Vermillion holds the sun's memory—black interior, infinite depth, tea awaits in silence."*
🔹 [ DEEP-DIVE COMMENTARY ]
Shu-nuri (vermillion coating) uses cinnabar-pigmented lacquer applied in multiple thin layers, each polished before the next. The resulting surface has unusual depth, seeming to glow from within rather than merely reflecting light. The technique requires exceptional climate control and timing.
The nakatsugi's cylindrical form with mid-height division derives from Chinese medicine containers, adapted by tea masters for matcha storage. Its geometric simplicity makes it particularly suited to the wabi aesthetic—where function and form achieve unity without ornamentation.
The black interior serves both practical and aesthetic purposes: black lacquer is slightly harder and more resistant to tea powder residue, while the color contrast dramatizes the moment of opening. This theatrical element transforms tea preparation into mindful ritual.
🔹 [ FREQUENTLY ASKED QUESTIONS ]
Q: This is listed as new—what does that mean?
A: This nakatsugi has never been used for tea service. You have the privilege of being its first owner.
Q: Is the vermillion color stable?
A: Yes, properly cured urushi lacquer is extremely durable. Avoid prolonged direct sunlight to preserve vibrancy.
Q: Can I use this for daily tea practice?
A: Absolutely. Regular use actually benefits lacquerware, keeping the urushi hydrated and lustrous.
🔹 [ SUGGESTED USES ]
Ideal for tea ceremony practitioners beginning their collection, or as a gift for someone starting their tea journey. The minimalist form suits both casual daily practice and formal presentations.
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
🔹 [ EXPLORE MORE ]
Discover our collection of minimalist lacquerware and tea ceremony essentials.
→ Visit our shop for more treasures from Japan.
━━━━━━━━━━━━━━━━━━━━
【日本語解説】
🔹 [ 作品詳細 ]
• 作家：二代 田中健智
• 品目：中次（なかつぎ）
• 技法：朱塗（外）・黒塗（内）
• 寸法：胴径約6.6cm、高さ約6.6cm
• 素材：木地、天然漆
• 付属品：共箱、作歴
• 状態：新品
🔹 [ 作品解説 ]
二代田中健智による朱塗中次です。装飾を排した円筒形のフォルムに、端正な朱漆が映える端正な作品です。内側は黒漆仕上げで、蓋を開けた際の朱と黒のコントラストが印象的です。
中次は蓋と身が中程で接合する形状から名付けられました。桃山時代に確立したこの形式は、利休の侘び茶の精神を体現するものとして、今日まで茶人に愛されています。
🔹 [ 文化的背景 ]
朱塗は、辰砂（硫化水銀）を顔料として漆に練り込む技法です。何層にも塗り重ねることで、内側から発光するような深みのある赤が生まれます。また、中次の簡潔な形状は、「用の美」を追求する茶道の理念そのものです。新品の状態でお届けできる貴重な機会です。
━━━━━━━━━━━━━━━━━━━━
🔹 [ PRODUCT DETAILS ]
• Artist: Tanaka Kenchi II (二代 田中健智)
• Origin: Japan
• Type: Nakatsugi (中次) - Cylindrical Tea Caddy
• Technique: Shu-nuri (朱塗) - Vermillion lacquer
• Dimensions: Diameter approx. 6.6 cm × Height approx. 6.6 cm (2.6" × 2.6")
• Materials: Wood core, vermillion and black urushi lacquer
• Packaging: Tomobako with artist documentation
• Condition: New/Unused
• Style: Classic Japanese / Minimalist Zen
━━━━━━━━━━━━━━━━━━━━
🔹 [ ABOUT THIS PIECE ]
This nakatsugi represents lacquerware at its most essential—pure form, perfect finish, no ornament to distract from the beauty of vermillion urushi itself. The cylindrical shape divides at the middle (hence "nakatsugi," meaning "joined in the middle"), allowing the lid and body to nest seamlessly.
The exterior glows with rich shu-nuri vermillion, while the interior reveals deep black lacquer, creating a dramatic contrast when opened. This interplay of red and black embodies the yin-yang philosophy underlying Japanese aesthetics—opposing forces in perfect balance.
🔹 [ WHY CHOOSE THIS NAKATSUGI? ]
Tanaka Kenchi II continues a distinguished lineage of lacquer artisans. This piece arrives in new, unused condition—a rare opportunity to begin a tea utensil's journey from first use. The minimalist form makes it versatile for any tea gathering, while the signed tomobako ensures provenance.
🔹 [ CULTURAL SIGNIFICANCE ]
The nakatsugi form emerged in the Momoyama period as tea masters sought vessels embodying restraint and directness. Unlike decorative natsume, the nakatsugi relies entirely on proportion, color, and surface quality to convey beauty. It represents the tea philosophy of finding profundity in simplicity.
*"Vermillion holds the sun's memory—black interior, infinite depth, tea awaits in silence."*
🔹 [ DEEP-DIVE COMMENTARY ]
Shu-nuri (vermillion coating) uses cinnabar-pigmented lacquer applied in multiple thin layers, each polished before the next. The resulting surface has unusual depth, seeming to glow from within rather than merely reflecting light. The technique requires exceptional climate control and timing.
The nakatsugi's cylindrical form with mid-height division derives from Chinese medicine containers, adapted by tea masters for matcha storage. Its geometric simplicity makes it particularly suited to the wabi aesthetic—where function and form achieve unity without ornamentation.
The black interior serves both practical and aesthetic purposes: black lacquer is slightly harder and more resistant to tea powder residue, while the color contrast dramatizes the moment of opening. This theatrical element transforms tea preparation into mindful ritual.
🔹 [ FREQUENTLY ASKED QUESTIONS ]
Q: This is listed as new—what does that mean?
A: This nakatsugi has never been used for tea service. You have the privilege of being its first owner.
Q: Is the vermillion color stable?
A: Yes, properly cured urushi lacquer is extremely durable. Avoid prolonged direct sunlight to preserve vibrancy.
Q: Can I use this for daily tea practice?
A: Absolutely. Regular use actually benefits lacquerware, keeping the urushi hydrated and lustrous.
🔹 [ SUGGESTED USES ]
Ideal for tea ceremony practitioners beginning their collection, or as a gift for someone starting their tea journey. The minimalist form suits both casual daily practice and formal presentations.
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
🔹 [ EXPLORE MORE ]
Discover our collection of minimalist lacquerware and tea ceremony essentials.
→ Visit our shop for more treasures from Japan.
━━━━━━━━━━━━━━━━━━━━
【日本語解説】
🔹 [ 作品詳細 ]
• 作家：二代 田中健智
• 品目：中次（なかつぎ）
• 技法：朱塗（外）・黒塗（内）
• 寸法：胴径約6.6cm、高さ約6.6cm
• 素材：木地、天然漆
• 付属品：共箱、作歴
• 状態：新品
🔹 [ 作品解説 ]
二代田中健智による朱塗中次です。装飾を排した円筒形のフォルムに、端正な朱漆が映える端正な作品です。内側は黒漆仕上げで、蓋を開けた際の朱と黒のコントラストが印象的です。
中次は蓋と身が中程で接合する形状から名付けられました。桃山時代に確立したこの形式は、利休の侘び茶の精神を体現するものとして、今日まで茶人に愛されています。
🔹 [ 文化的背景 ]
朱塗は、辰砂（硫化水銀）を顔料として漆に練り込む技法です。何層にも塗り重ねることで、内側から発光するような深みのある赤が生まれます。また、中次の簡潔な形状は、「用の美」を追求する茶道の理念そのものです。新品の状態でお届けできる貴重な機会です。
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