Shinsho-ji Tozu Kiln Vase by Fujimoto Akinari | Abstract Overglaze Enamel Stoneware

Experience Authentic Japanese Ceramic Art with this Fujimoto Akinari Vase. This Shinsho-ji Temple Kiln creation serves as a Tozu Kiln Stoneware vessel and Abstract Overglaze piece, featuring Red Green Enamel Splash decoration and a Pear Shape Vase form — a striking Japanese Art Vase for any Contemporary Ceramics collector seeking Temple Kiln Pottery with a Signed Tomobako Box.

🔹 [ Basic Details ]
• Artist: Fujimoto Akinari (藤本明成)
• Kiln: Tozu kiln (陶津窯), Shinsho-ji temple (神勝寺)
• Technique: Stoneware with cream glaze and abstract overglaze enamel (red, green, brown, gold)
• Era: Contemporary (2010–2019)
• Origin: Fukuyama, Hiroshima Prefecture, Japan
• Dimensions: Height approx. 17.3 cm, Rim diameter approx. 2.5 cm, Base diameter approx. 9.4 cm
• Box: Signed tomobako with purple cloth tie and pamphlet
• Condition: Excellent — enamel vivid, no damage

🔹 [ Cultural & Artistic Insight ]
Fujimoto Akinari works at the Tozu kiln within Shinsho-ji temple grounds — a setting where ceramic practice and spiritual life share the same air. This pear-shaped vase (tsubo) divides itself between two worlds: the upper body wears a milky cream glaze, while the lower half reveals unglazed sandy stoneware. Across the boundary, abstract splashes of red, green, brown, and gold enamel fall like calligraphic gestures.

The decoration does not describe — it acts. Each splash is a single committed movement, the overglaze applied with the speed and confidence of ink on paper.

"Between the glazed and the unglazed, color lands like a shout in a quiet room."

🔹 [ Deep-Dive Commentary ]
Shinsho-ji temple in Fukuyama houses an extraordinary art collection and maintains the Tozu kiln as part of its cultural mission. Fujimoto's work at this kiln synthesizes the temple's aesthetic philosophy with contemporary ceramic exploration.

The pear-shaped form references traditional tsubo vessels while the abstract enamel decoration speaks a distinctly modern language. The red lines move with calligraphic energy — not random, but not representational either. Green dots punctuate like breath marks. Brown iron oxide grounds the composition in earthiness. The narrow neck controls these energies, focusing the eye upward.

The contrast between the smooth cream glaze and the rough sandy base creates a tactile dialogue: refinement above, raw earth below. The lip carries multicolored enamel that only reveals itself to the viewer who looks closely.

[ JAPANESE DESCRIPTION / 日本語解説 ]

🔹 [ 基本情報 ]
• 作家：藤本明成
• 窯元：陶津窯（神勝寺）
• 技法：陶器・クリーム釉に赤緑茶金の上絵付
• 時代：現代（2010〜2019年）
• 産地：広島県福山市
• 寸法：高さ約17.3cm、口径約2.5cm、底径約9.4cm
• 箱：共箱（紫布紐）・栞付
• 状態：美品

🔹 [ 文化的・芸術的解説 ]
藤本明成氏は神勝寺境内の陶津窯で制作する陶芸家です。洋梨形の壺は上半身にクリーム釉、下半身に無釉の砂質素地を見せ、その境界に赤・緑・茶・金の抽象的な飛沫が書のような動勢で散ります。装飾は描写ではなく行為——一筆ごとが墨跡のような速度と確信を持っています。

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials