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Shino Ware Tea Bowl by Tomiyama Kiln - Japanese Matcha Chawan with Signed Box
Shino Ware Tea Bowl by Tomiyama Kiln - Japanese Matcha Chawan with Signed Box
Regular price
Dhs. 781.00 AED
Regular price
Sale price
Dhs. 781.00 AED
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Experience authentic Japanese tea culture with this Shino Ware Tea Bowl from the Tomiyama kiln. This Japanese Matcha Chawan serves as a Mino Ceramic Art masterpiece and Handmade Tea Ceremony Bowl, featuring Wabi Sabi Ceramic artistry and Feldspathic Glaze—a must-have for any Tea Practitioner seeking authentic Japanese Tea Ware and Zen Tea Accessory.
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🔹 [ BASIC DETAILS ]
• Artist: Tomiyama Kiln (富山窯)
• Technique: Shino-yaki (志野焼) — thick feldspathic glaze with hi-iro fire color
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Mino region, Gifu Prefecture, Japan
• Dimensions: Diameter approx. 12 cm × Height approx. 8 cm (4.7" × 3.1")
• Box: Tomobako (kiln-signed wooden box)
• Condition: Excellent – no cracks, chips, or repairs
━━━━━━━━━━━━━━━━━━━━
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Shino ware emerged in the Mino region during the Momoyama period (late 16th century), born from the same cultural upheaval that reshaped the Japanese tea ceremony under the influence of Sen no Rikyu and Furuta Oribe. Unlike the refined celadons imported from China, Shino represented a radical declaration: that beauty could live in thickness, irregularity, and the quiet accidents of fire.
This bowl from the Tomiyama kiln carries that lineage forward. The thick white glaze pools and crawls across the surface, creating the chijimi (縮緬) texture — a pitted, breathing skin that invites the hands before the eyes. Beneath the glaze, patches of hi-iro (火色, fire color) glow in warm orange-brown, evidence of iron in the clay responding to the kiln's atmosphere. These marks are not decoration. They are memory — the kiln's breath recorded in mineral.
*"The glaze does not cover the clay. It converses with it — and the fire mediates."*
━━━━━━━━━━━━━━━━━━━━
🔹 [ DEEP-DIVE COMMENTARY ]
**Shino Glaze Tradition**: Shino-yaki (志野焼) is defined by its use of a thick, milky feldspathic glaze applied over Mino clay rich in iron content. The glaze is applied generously, often by ladle or dipping, creating an uneven surface that crawls and pits during firing. This controlled imperfection — the chijimi texture — is among the most prized features of authentic Shino ware, representing the wabi aesthetic of finding depth in apparent simplicity.
**Hi-iro (Fire Color)**: The warm orange-brown patches visible beneath and through the white glaze are called hi-iro. They occur where the feldspathic glaze thins enough for the iron-bearing clay body to oxidize during firing. Tea masters have long valued these passages as keshiki (景色, scenery) — the landscape of the bowl that changes with each viewing angle and each season of use.
**Form and Function**: This bowl exhibits the robust, slightly irregular form characteristic of Shino chawan. The natural warping of the rim — far from a defect — creates varied drinking points, each offering a different relationship between lip and clay. The proportions are well-suited for whisking koicha (thick tea) or usucha (thin tea), with sufficient depth and a stable foot ring.
**The Tomiyama Kiln**: Located in the heartland of Mino ceramics, the Tomiyama kiln continues the Shino tradition with respect for historical technique while maintaining a contemporary sensibility. The tomobako accompanying this piece is signed by the kiln, confirming its provenance and placing it within a documented lineage of production.
━━━━━━━━━━━━━━━━━━━━
🔹 [ 日本語解説 ]
【基本情報】
• 窯元:富山窯
• 技法:志野焼(長石釉・火色・縮緬肌)
• 時代:現代(平成〜令和)
• 産地:岐阜県美濃地方
• 寸法:直径約12cm × 高さ約8cm
• 付属:共箱
• 状態:良好(ヒビ・カケなし)
【解説】
志野焼は桃山時代に美濃で生まれた日本独自のやきものです。長石を主成分とする白い釉薬を厚くかけ、1200度を超える高温で焼成することで、独特の縮緬肌(ちりめんはだ)と呼ばれる凹凸のある表面が生まれます。
本作は富山窯による志野茶碗で、白釉の下から現れる火色(ひいろ)が見どころです。鉄分を含む素地が窯の中で酸化し、温かみのある橙褐色の景色を作り出しています。口縁の自然な歪みも見所のひとつで、茶を点てる際に手に馴染む形状です。共箱付きで、茶席での使用はもちろん、鑑賞用としてもお楽しみいただけます。
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*Where white glaze meets iron earth, the kiln leaves its quiet testimony in fire.*
━━━━━━━━━━━━━━━━━━━━
🔹 [ BASIC DETAILS ]
• Artist: Tomiyama Kiln (富山窯)
• Technique: Shino-yaki (志野焼) — thick feldspathic glaze with hi-iro fire color
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Mino region, Gifu Prefecture, Japan
• Dimensions: Diameter approx. 12 cm × Height approx. 8 cm (4.7" × 3.1")
• Box: Tomobako (kiln-signed wooden box)
• Condition: Excellent – no cracks, chips, or repairs
━━━━━━━━━━━━━━━━━━━━
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Shino ware emerged in the Mino region during the Momoyama period (late 16th century), born from the same cultural upheaval that reshaped the Japanese tea ceremony under the influence of Sen no Rikyu and Furuta Oribe. Unlike the refined celadons imported from China, Shino represented a radical declaration: that beauty could live in thickness, irregularity, and the quiet accidents of fire.
This bowl from the Tomiyama kiln carries that lineage forward. The thick white glaze pools and crawls across the surface, creating the chijimi (縮緬) texture — a pitted, breathing skin that invites the hands before the eyes. Beneath the glaze, patches of hi-iro (火色, fire color) glow in warm orange-brown, evidence of iron in the clay responding to the kiln's atmosphere. These marks are not decoration. They are memory — the kiln's breath recorded in mineral.
*"The glaze does not cover the clay. It converses with it — and the fire mediates."*
━━━━━━━━━━━━━━━━━━━━
🔹 [ DEEP-DIVE COMMENTARY ]
**Shino Glaze Tradition**: Shino-yaki (志野焼) is defined by its use of a thick, milky feldspathic glaze applied over Mino clay rich in iron content. The glaze is applied generously, often by ladle or dipping, creating an uneven surface that crawls and pits during firing. This controlled imperfection — the chijimi texture — is among the most prized features of authentic Shino ware, representing the wabi aesthetic of finding depth in apparent simplicity.
**Hi-iro (Fire Color)**: The warm orange-brown patches visible beneath and through the white glaze are called hi-iro. They occur where the feldspathic glaze thins enough for the iron-bearing clay body to oxidize during firing. Tea masters have long valued these passages as keshiki (景色, scenery) — the landscape of the bowl that changes with each viewing angle and each season of use.
**Form and Function**: This bowl exhibits the robust, slightly irregular form characteristic of Shino chawan. The natural warping of the rim — far from a defect — creates varied drinking points, each offering a different relationship between lip and clay. The proportions are well-suited for whisking koicha (thick tea) or usucha (thin tea), with sufficient depth and a stable foot ring.
**The Tomiyama Kiln**: Located in the heartland of Mino ceramics, the Tomiyama kiln continues the Shino tradition with respect for historical technique while maintaining a contemporary sensibility. The tomobako accompanying this piece is signed by the kiln, confirming its provenance and placing it within a documented lineage of production.
━━━━━━━━━━━━━━━━━━━━
🔹 [ 日本語解説 ]
【基本情報】
• 窯元:富山窯
• 技法:志野焼(長石釉・火色・縮緬肌)
• 時代:現代(平成〜令和)
• 産地:岐阜県美濃地方
• 寸法:直径約12cm × 高さ約8cm
• 付属:共箱
• 状態:良好(ヒビ・カケなし)
【解説】
志野焼は桃山時代に美濃で生まれた日本独自のやきものです。長石を主成分とする白い釉薬を厚くかけ、1200度を超える高温で焼成することで、独特の縮緬肌(ちりめんはだ)と呼ばれる凹凸のある表面が生まれます。
本作は富山窯による志野茶碗で、白釉の下から現れる火色(ひいろ)が見どころです。鉄分を含む素地が窯の中で酸化し、温かみのある橙褐色の景色を作り出しています。口縁の自然な歪みも見所のひとつで、茶を点てる際に手に馴染む形状です。共箱付きで、茶席での使用はもちろん、鑑賞用としてもお楽しみいただけます。
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*Where white glaze meets iron earth, the kiln leaves its quiet testimony in fire.*
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