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Kyo-ware Iro-e Cherry Blossom Tea Bowl — Hashimoto Jogaku, Narutaki Kiln

Kyo-ware Iro-e Cherry Blossom Tea Bowl — Hashimoto Jogaku, Narutaki Kiln

Regular price Dhs. 915.00 AED
Regular price Sale price Dhs. 915.00 AED
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🔹 [ THE MODERN ZEN ARCHIVE ]

A Kyo-ware iro-e tea bowl dressed in cherry blossom overglaze enamel — raised moriage dotwork in white and soft lavender unfolds across a warm cream ground, with gold cloud bands drifting between gnarled branches. Hashimoto Jogaku, working from the Narutaki kiln in Kyoto, brings a painter's discipline to this sakura chawan: each petal placed with the density of intention that defines authentic Kyo-yaki craftsmanship. The decorative field covers roughly sixty percent of the exterior, leaving the reverse in quiet cream glaze — a deliberate asymmetry that rewards the hand as it turns the bowl. Moriage enamel cherry blossom, kinun gold cloud motif, and polychrome overglaze painting converge in a piece that carries the cultural weight of Kyoto's ceramic lineage without a single excess gesture.

🔹 [ 基本情報 ]
• 作品: 色絵桜花文 茶盌
• 作家: 橋本城岳(鳴滝窯)
• 産地: 京都(鳴滝窯)
• 時代: 現代(2000–2006年頃)
• 寸法: 高さ 8.1 cm × 口径 12 cm × 高台径 5.1 cm
• 付属: 共箱(「色絵桜花文 茶盌」箱書き、「鳴滝窯 城岳造」署名・印)
• 状態: 優良 — 目立つダメージなし

🔹 [ BASIC DETAILS ]
• Title: Iro-e Sakura-mon Chawan (Overglaze Enamel Cherry Blossom Tea Bowl)
• Artist: Hashimoto Jogaku (Narutaki Kiln)
• Origin: Kyoto, Japan
• Period: Contemporary (est. 2000–2006)
• Dimensions: H 8.1 cm × Rim ø 12 cm × Foot ø 5.1 cm
• Box: Signed tomobako with inscription "色絵桜花文 茶盌" and artist signature with seal
• Condition: Excellent — no visible damage

🔹 [ 文化的背景 ]
京焼・色絵の伝統は、野々村仁清に始まり数百年の歴史を持つ。鳴滝窯は京都北西部に位置し、仁和寺にほど近い陶芸の地。橋本城岳はこの窯で、盛上(もりあげ)技法による立体的な桜花文と金雲(きんうん)帯を組み合わせ、華やかでありながら品格ある京の美意識を一碗に凝縮している。茶席で手に取れば、装飾面と無地面の対比が静かな驚きをもたらす。

🔹 [ CULTURAL INSIGHT ]
Kyo-ware's overglaze enamel tradition traces back centuries to Nonomura Ninsei. The Narutaki kiln sits in northwest Kyoto near Ninna-ji temple — a landscape steeped in ceramic history. Hashimoto Jogaku employs moriage (raised enamel) technique to give each cherry blossom physical presence, while kinun gold cloud bands float across the surface in a composition that balances ornament with restraint. The deliberate contrast between decorated and undecorated faces embodies a core principle of tea aesthetics: beauty revealed through what is withheld.

🔹 [ 作品詳細 ]
素地は温かみのあるクリーム色。外面には盛上技法による白と淡紫の桜花が点描状に配され、金彩の雲帯が枝の間を流れる。枝は濃茶と金で力強く描かれ、赤い蕾と緑の葉がアクセントを添える。装飾は外面の約60%に集中し、背面はクリーム釉のまま残される。高台は端正に削り出され、京焼らしい精緻な仕上げ。見込みは清潔で、茶映りの良い設計。

🔹 [ DEEP-DIVE ]
The bowl rests on a precisely trimmed foot ring in matching cream. The exterior's front face carries the full weight of decoration: moriage cherry blossoms in white and lavender rise from the surface with tactile dimension, supported by gnarled branches in dark brown with gold highlights. Gold cloud bands (kinun) sweep horizontally, creating atmospheric depth. Small red buds and green leaves punctuate the composition. The back face remains largely bare — clean cream glaze with only faint traces of design wrapping around the edges. This asymmetry is intentional, offering the tea practitioner a moment of discovery as the bowl rotates in the hands. The interior is clean and functional, designed to frame the color of whisked matcha.

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
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Low stock: 1 left

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