Korean-style Furo Wind Furnace and Iron Kettle Set by Kanamori Shoei - Unused Mint

Experience Authentic Japan Art with this Korean-style Furo Wind Furnace. This Japanese Chanoyu Set serves as a Kanamori Shoei Masterwork and Bronze Furo Creation, featuring Dragon Ring Handles aesthetics and Sukashi Cutwork tradition—a must-have for any Art Collector seeking Complete Tea Ceremony Set and Summer Furo Season Art.

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🔹 [ BASIC DETAILS ]

• Artist: Kanamori Shoei (金森紹栄)
• Technique: Bronze casting (唐銅/karakane) with iron kettle
• Form: Chosen-buro (朝鮮風炉) — Korean-style wind furnace with matching kettle
• Era: Showa–Heisei period
• Origin: Japan
• Dimensions: Kettle diameter approx. 21.5 cm, Furo diameter approx. 29.0 cm, Total height approx. 35.0 cm
• Box: Tomobako inscribed "母" (Haha/Mother) with artist attribution
• Accessories: Kama-kan (釜鐶/kettle rings) included
• Condition: Unused — mint storage condition, no damage

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🔹 [ CULTURAL & ARTISTIC INSIGHT ]

A complete ceremonial set for furo season: bronze wind furnace and iron kettle united in one composition. Kanamori Shoei has honored the Chosen-buro tradition—a form that traces its lineage to Korean metalwork brought to Japan centuries ago, then reimagined through the lens of chanoyu aesthetics.

The bronze furo stands on three legs, its body adorned with dragon and bat ring handles, cloud and wave sukashi (透かし) cutwork allowing heat to breathe through patterned openings. The iron kettle rests above, austere against the furnace's elaboration—a dialogue between ornament and restraint that defines the furo-kama relationship.

*"The furnace holds fire as the earth holds seasons—patiently, without urgency, knowing that warmth arrives when readiness is complete."*

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🔹 [ DEEP-DIVE COMMENTARY ]

**The Chosen-buro Lineage**: The Korean-style wind furnace entered Japanese tea culture through the deep cultural exchange between the Korean peninsula and Japan. Tea masters recognized in its robust, three-legged form a groundedness that complemented the meditative stillness of the tea room. Over centuries, Japanese casters developed this inherited form into something distinctly their own.

**Kanamori Shoei**: A recognized master of bronze and iron casting within the Kogeikai (Japan Kogei Association) tradition. Shoei's works are characterized by meticulous attention to detail and reverence for classical forms. This set, inscribed with the evocative name "Haha" (母/Mother), suggests the furnace's role as the nurturing center of the tea space—the source from which warmth, steam, and ceremony flow.

**Sukashi Cutwork**: The openwork patterns on the furo body serve both aesthetic and functional purposes. Cloud and wave motifs (kumo to nami) allow oxygen to feed the charcoal while transforming the furnace into a lantern of sorts—light flickering through patterned openings during twilight tea gatherings. Each sukashi pattern carries symbolic meaning rooted in natural phenomena.

**Dragon and Bat Handles**: The dragon (ryū) represents water and transformation, while the bat (kōmori) is an auspicious symbol of good fortune in East Asian iconography. Their presence on the furo handles connects this functional object to a deeper symbolic vocabulary.

**Furo Season Significance**: The furo is used during the warmer months (May through October) when the sunken hearth (ro) is sealed. The complete set—furnace, kettle, and rings—represents everything needed for this seasonal transition, a moment of continuity in the tea calendar.

**Unused Condition**: This set has remained in storage since its creation, preserving the original patina and surface treatment exactly as Shoei intended. The bronze retains its warm, golden tone, and the iron kettle shows no water staining or fire marks. A complete, untouched ceremonial set of this caliber is a significant find.

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🔹 [ 日本語解説 ]

【基本情報】
• 作家：金森紹栄
• 技法：唐銅鋳造（風炉）、鉄鋳造（釜）
• 形状：朝鮮風炉釜セット
• 時代：昭和〜平成
• 産地：日本
• 寸法：釜径21.5cm、風炉径29.0cm、総高35.0cm
• 付属：共箱（「母」銘）、釜鐶
• 状態：未使用保管品（傷みなし）

【解説】
金森紹栄による唐銅朝鮮風炉と鉄釜の完品セットです。朝鮮半島の金属工芸に起源を持つ風炉の形を、日本の茶の湯の美意識で再解釈した作品。三本脚の風炉には龍と蝙蝠の鐶付が配され、雲と波の透かし文様が炭の呼吸と光の演出を兼ねています。

「母」という銘は、風炉が茶席において湯を生む源であり、場を温め、人を集わせる中心であることを示唆しています。上に載る鉄釜は簡素な佇まいで、風炉の装飾性との間に抑制と華やぎの対話を生んでいます。

未使用の保管品であり、唐銅の温かな光沢も鉄釜の肌も、作家が意図した状態のまま保たれています。風炉の季節（五月〜十月）に向けた完全なセットとして、茶道具コレクションの核となる一揃いです。

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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials