Kohiki Tea Bowl by Santoshi - Dark Ash Cascade Over White Slip Chawan with Box

Experience authentic Japanese tea culture with this Kohiki Tea Bowl. This Japanese Matcha Chawan serves as a Santoshi Pottery and Wabi Sabi Ceramic, featuring Dark Ash Glaze Cascade and White Slip Coating artistry—a must-have for any Art Collector seeking Japanese Tea Ceremony ware and Contemplative Decor.

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🔹 [ BASIC DETAILS ]

• Artist: Santoshi (三陶子)
• Technique: Kohiki (粉引) — white slip over dark iron-rich clay body with ash overglaze
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Japan
• Dimensions: Diameter approx. 11.5 cm (4.5"), Height approx. 8.3 cm (3.3")
• Box: Signed tomobako with inscription "粉引 茶碗 / 陶子作" and red seal (共箱)
• Condition: Excellent — no chips, cracks, or repairs. Natural crazing throughout.

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🔹 [ CULTURAL & ARTISTIC INSIGHT ]

Kohiki (粉引) is a slip-coating technique imported from Korea during the 16th century, where dark iron-rich clay is sheathed in white slip before glazing. The resulting contrast—white body, dark clay peeking through—became central to Japanese wabi-sabi tea aesthetics.

This piece elevates that tradition: the artist has allowed a viscous dark ash or iron glaze to cascade from the rim, flowing down over the white kohiki slip. The result is a bowl where two landscapes coexist—the quiet white field and the stormy descent of molten darkness.

*"Storm and stillness meet in a single bowl—each firing a negotiation between gravity and restraint."*

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🔹 [ DEEP-DIVE COMMENTARY ]

**The Kohiki Tradition**: Kohiki originated in Korean Joseon-era ceramics and was adopted by Japanese potters during the Momoyama period. The technique involves dipping an iron-rich clay body in white porcelain slip, creating a warm, textured surface that reveals its dark foundation through use and time.

**Technical Achievement**: What makes this bowl compelling is the artist's control over accident. The dark glaze flows are guided by viscosity, kiln position, and firing curve—yet they are not forced. The artist has orchestrated conditions for natural behavior, then stepped back. The cylindrical tsutsugata form provides a perfect canvas for this drama.

**Collector Significance**: The crazing across both white and dark zones is not flaw but feature. In kohiki ware, the web of fine cracks develops as slip and clay body contract at different rates—a topographic map of molecular stress and thermal history.

**Contemporary Practice**: In tea ceremony context, this bowl offers visual weight and emotional silence. The dark glaze creates a focal point without demanding attention. It declares itself without persuasion—presence without performance.

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🔹 [ 日本語解説 ]

【基本情報】
• 作家：三陶子
• 技法：粉引・鉄釉掛け流し
• 時代：現代（平成〜令和）
• 産地：日本
• 寸法：口径約11.5cm、高さ約8.3cm
• 付属：共箱
• 状態：良好

【解説】
三陶子による粉引茶碗。白化粧の上に黒系の灰釉が流れ落ち、劇的なコントラストを生み出しています。筒形の端正な造形に、窯変による景色が力強く映えます。

粉引は16世紀に朝鮮半島から伝わった技法で、鉄分を含む暗色の土に白い化粧土をかけることで、温かみのある表情を生み出します。全体に貫入が入り、粉引特有の時間的な深みを湛えています。共箱付き。

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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials

*Where storm meets stillness—each firing a negotiation between gravity and restraint.*