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Karatsu Yunomi by Nakazato Tarouemon – Japanese Tea Cup – E-Karatsu Art – Japan

Karatsu Yunomi by Nakazato Tarouemon – Japanese Tea Cup – E-Karatsu Art – Japan

Regular price Dhs. 716.00 AED
Regular price Sale price Dhs. 716.00 AED
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Authentic **Karatsu Yunomi** by the lineage of **Nakazato Tarouemon**. This **Japanese Tea Cup** in **E-Karatsu Style** features **Traditional Iron Brushwork** and represents a **430-year Pottery History**. Perfect for a **Matcha Lover Gift** or as **Zen Home Decor** for **Handmade Ceramic** and **Fine Japanese Art** collectors.

A classic E-Karatsu (painted Karatsu) teacup from the esteemed kiln of Nakazato Tarouemon XIV. The Nakazato family has been the keeper of the Karatsu tradition for over 400 years, formerly serving as official potters to the Karatsu domain.

**Basic Details**
- **Artist**: Nakazato Tarouemon XIV Kiln (Saga Prefecture)
- **Technique**: E-Karatsu (Iron-underglaze decoration on feldspathic glaze)
- **Era**: Late 20th Century (Showa/Heisei Era)
- **Origin**: Karatsu, Saga Prefecture, Japan
- **Dimensions**: approx. 8.5 cm wide, 3.5 cm high
- **Condition**: Pristine condition

**Cultural & Artistic Insight**
Karatsu ware is one of the most beloved ceramic styles in the Japanese tea world. The 'E-Karatsu' technique is known for its free and spirited brushwork, typically depicting natural motifs with simplicity and rugged elegance (Wabi-Sabi).

**Deep-Dive Commentary**
**Artistry**: Despite its modest size, this cup exhibits the 'strong' clay body characteristic of Karatsu. The glaze has a warm, milky texture that allows the iron-painted motif to stand out with calligraphic energy.
**Lineage**: The 14th generation Nakazato Tarouemon followed the footsteps of the 13th generation (a Living National Treasure), maintaining the kiln's reputation for both innovative art and traditional domain-ware standards.
**Usage**: This 'Yunomi' is ideal for everyday tea rituals or as a small vessel for high-grade Sencha. Its history and heritage make it a conversation piece for any collector of Japanese ceramics.

*A line drawn 400 years ago, still singing on the face of the clay.*
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