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Kakiemon Double Gourd Vase Pair — Phoenix Iro-e Porcelain Set of 2

Kakiemon Double Gourd Vase Pair — Phoenix Iro-e Porcelain Set of 2

Regular price Dhs. 1,919.00 AED
Regular price Sale price Dhs. 1,919.00 AED
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A matched pair of this coherence is already an act of cultural continuity. These Kakiemon-style double gourd vases carry the full visual program of Edo period porcelain elegance: phoenix ascending through peony fields, rendered in iro-e overglaze enamels — red, cobalt blue, green, gold — against the milky white porcelain that made Kakiemon-style ware the most imitated ceramic in eighteenth-century Europe. For collectors of Japanese porcelain pairs, Kakiemon enamelware, or decorative vases with phoenix motif, this set presents the tradition with clarity and presence. Double gourd hyotan form, a shape auspicious in both Chinese and Japanese visual culture. Offered as a complete matching pair.

[ BASIC DETAILS ]
• Form: Double gourd (hyotan) — pair of two vases
• Style: Kakiemon-style iro-e overglaze enamels
• Motif: Phoenix (ho-o) with peony and floral designs
• Colors: Red, cobalt blue, green, gold on white porcelain
• Condition: Very good condition for age; minor wear consistent with vintage
• Sold as: Matching pair (set of 2)

[ CULTURAL INSIGHT ]
Kakiemon ware from the Arita kilns in Kyushu established a standard of overglaze enamel painting in the seventeenth century that shaped porcelain production across Europe — Meissen, Dresden, Delft all responded to Kakiemon's clarity. The phoenix in Japanese ceramic tradition carries specific cultural weight: a bird of imperial dignity, appearing only in times of order and virtue, never of excess or conflict. Paired with peony — the flower of nobility and abundance — this motif pairing represents one of the most coherent visual programs in East Asian decorative arts.

[ DEEP DIVE ]
The hyotan double gourd form is structurally significant: two spheres joined at a narrow waist, each complete yet belonging together. As a pair of vases, this mirrors the form's inherent duality. The decision to present these as a matched set follows the Japanese principle of ma — the meaningful relationship between paired objects, each defining the other through proximity. On display together, these vases generate a visual conversation their individual presence cannot produce alone.

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【日本語】
柿右衛門様式の双瓢型花瓶、一対。白磁の地に鳳凰と牡丹を色絵で描いた格調ある作品です。赤・青・緑・金の上絵具が磁器の白に映え、江戸期の磁器美の精華を示しています。双瓢形(ひょうたん形)は東アジアで古来吉祥の形とされ、一対で揃えることで空間に対話が生まれます。柿右衛門様式は17世紀に欧州磁器に多大な影響を与えた様式として、今日も高い評価を受けています。

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
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