Kakedota Takatsugu Shino Tea Bowl - Shintsu Kiln Japanese Matcha Chawan

Experience authentic Japanese tea ceremony with this Kakedota Takatsugu Shino Tea Bowl. This handcrafted chawan serves as a meditation vessel and wabi-sabi art piece, featuring white Shino glaze and exposed fire color—a must-have for any tea practitioner seeking traditional craftsmanship and contemplative ceramics.

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🔹 [ BASIC DETAILS ]

• Artist: Kakedota Takatsugu (筧田孝嗣)
• Technique: Shino-style glaze with exposed clay body
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Shintsu Kiln (神通窯), Japan
• Dimensions: Diameter approx. 11.5 cm × Height approx. 8.5 cm (4.5" × 3.3")
• Box: Signed tomobako (artist-signed wooden box)
• Condition: Good – no structural damage

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🔹 [ CULTURAL & ARTISTIC INSIGHT ]

Shino ware represents one of Japan’s most celebrated ceramic traditions, originating in Mino province during the Momoyama period (late 16th century). Kakedota Takatsugu honors that lineage at Shintsu Kiln while expressing individual artistic vision. The thick white glaze pools and flows across the coarse clay body, creating the characteristic Shino aesthetic—soft, tactile, and deeply evocative.

The exposed reddish-brown clay at the foot and body reveals what Japanese potters call “hi-iro” (fire color), where flame directly touches unglazed surfaces during firing. This intentional incompleteness embodies wabi-sabi philosophy: finding depth in imperfection, impermanence, and the honest expression of materials.

*"Where glaze ends, fire begins its own calligraphy—reddish earth speaking the language that only flame can write."*

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🔹 [ DEEP-DIVE COMMENTARY ]

**The Shino Tradition**: Shino ware emerged as one of the first Japanese ceramic styles to use white glaze, developed during the aesthetic revolution of the Momoyama era. Originally fired in underground anagama kilns in Mino, the tradition emphasizes the dialogue between glaze and clay.

**Hi-iro (Fire Color)**: The reddish-brown patches where clay is exposed to direct flame are not defects but prized features. They reveal the material’s true nature and the firing process’s transformative power. Each hi-iro pattern is unique and unrepeatable.

**Kakedota’s Approach**: The irregular wheel marks visible beneath the glaze speak to hand-forming techniques. The thick glaze application demonstrates technical mastery—too little fails to achieve Shino’s milky depth; too much obscures the essential dialogue between clay and fire.

**The Tomobako Tradition**: The signed wooden box authenticates not just attribution but artistic lineage. In Japanese ceramic culture, the signed box represents the artist’s final statement, transforming functional object into archived moment.

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🔹 [ 日本語解説 ]

【基本情報】
• 作家：筧田孝嗣
• 技法：志野風白釉
• 時代：現代（平成〜令和）
• 産地：神通窯
• 寸法：口径約11.5cm × 高さ約8.5cm
• 付属：共箱
• 状態：良好

【解説】
筧田孝嗣氏による神通窯の志野茶碗です。厚めの白い釉薬が荒い土肌の上に流れ、窯変によって生まれた緋色（ひいろ）が見どころです。輿轆目の不規則な表情は手作りの証であり、侘び寂びの美意識を体現しています。共箱には作家の署名があり、現代における志野焼の継承を示す作品です。

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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials

*White glaze flows, fire answers—the bowl holds both voices in a single form.*