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Kaga-ware Pine Tree Matcha Bowl by Kaga Zuizan, Eikyo-ni Favorite
Kaga-ware Pine Tree Matcha Bowl by Kaga Zuizan, Eikyo-ni Favorite
Regular price
Dhs. 1,390.00 AED
Regular price
Sale price
Dhs. 1,390.00 AED
Taxes included.
Shipping calculated at checkout.
Experience Authentic Japan Art with this Kaga-ware Matcha Bowl. This Japanese Tea Ceremony piece serves as a Kaga Zuizan Ware and Pine Tree Chawan, featuring Eikyo-ni Favorite Style and Zen Nature Art—a must-have for any Art Collector.
🔹 [ Basic Details ]
- Artist: Kaga Zuizan (加賀瑞山)
- Style: Eikyo-ni Konomi (恵恭尼好) - Favorite style of a renowned tea nun
- Technique: Overglaze hand-painted pine tree motif
- Era: 1980s (Late Showa Era)
- Origin: Ishikawa Prefecture (Kaga Region), Japan
- Dimensions: Height 8.0 cm, Diameter 12.5 cm
- Box: Original wooden box (Tomobako), certification documents included
- Condition: Barely used, pristine condition
🔹 [ Cultural & Artistic Insight ]
Historical Context: Kaga Zuizan is a master associated with the Kaga region's rich ceramic heritage. The "Eikyo-ni Konomi" indicates a design favored by the influential tea figure Eikyo-ni, suggesting a refined, spiritual simplicity.
Technique & Aesthetic: The pine tree (Matsu) is the classic symbol of longevity and stability. Zuizan uses a soft, layered brush technique for the needles, creating a sense of depth and enduring strength against the fine clay body.
Philosophical Reflection: Standing firm through the wind of centuries—a quiet green promise that never withers.
🔹 [ Deep-Dive Commentary ]
Zuizan's work is characterized by the "Ishikawa spirit"—a blend of robust form and delicate decoration. This bowl is particularly significant for its lineage, connecting the user to the spiritual history of the tea ceremony through the nun Eikyo-ni's aesthetic. The bowl's weight and balance are optimized for the formal "Temae" ritual. The glaze inside has a subtle pearlescent quality that reflects the whisked tea beautiful, making it a meditative tool for any practitioner.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:加賀瑞山
- 好み:恵恭尼好(えきょうにごのみ)
- 技法:加賀焼、色絵松文様
- 時代:1980年代(昭和後期)
- 産地:石川県(加賀地方)
- 寸法:高さ 8.0cm、径 12.5cm
- 箱:共箱、陶歴書付き
- 状態:使用感少なく非常に良好、美品
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:加賀瑞山氏は石川県の伝統を受け継ぐ名工です。本作は高名な尼僧であり茶人でもあった恵恭尼の好みを反映しており、茶道における精神的な深みと上品な簡潔さを備えています。
技法と美学:松は日本の精神文化において長寿と不変の象徴です。瑞山氏による繊細な松葉の描写は、静かな力強さと生命力を感じさせ、良質な胎土と調和しています。
詩的一文:数世紀を渡る風の中、揺るぎなく立ち続ける。枯れることのない静かなる緑の約束。
🔹 [ ディープダイブ解説 ]
瑞山氏の作品には、加賀地方特有の力強さと繊細さが共存しています。恵恭尼好みの意匠は、華やかさの中にも修行者のような清廉さを感じさせ、茶席の品格を高めます。茶碗の重さと重心のバランスは、点前での扱いやすさを追求したもので、美しさと実用性を高い次元で並立させています。内側の釉薬が放つ微かな真珠のような光沢は、抹茶の色を美しく反射し、瞑想的なひと時を演出します。
🔹 [ Basic Details ]
- Artist: Kaga Zuizan (加賀瑞山)
- Style: Eikyo-ni Konomi (恵恭尼好) - Favorite style of a renowned tea nun
- Technique: Overglaze hand-painted pine tree motif
- Era: 1980s (Late Showa Era)
- Origin: Ishikawa Prefecture (Kaga Region), Japan
- Dimensions: Height 8.0 cm, Diameter 12.5 cm
- Box: Original wooden box (Tomobako), certification documents included
- Condition: Barely used, pristine condition
🔹 [ Cultural & Artistic Insight ]
Historical Context: Kaga Zuizan is a master associated with the Kaga region's rich ceramic heritage. The "Eikyo-ni Konomi" indicates a design favored by the influential tea figure Eikyo-ni, suggesting a refined, spiritual simplicity.
Technique & Aesthetic: The pine tree (Matsu) is the classic symbol of longevity and stability. Zuizan uses a soft, layered brush technique for the needles, creating a sense of depth and enduring strength against the fine clay body.
Philosophical Reflection: Standing firm through the wind of centuries—a quiet green promise that never withers.
🔹 [ Deep-Dive Commentary ]
Zuizan's work is characterized by the "Ishikawa spirit"—a blend of robust form and delicate decoration. This bowl is particularly significant for its lineage, connecting the user to the spiritual history of the tea ceremony through the nun Eikyo-ni's aesthetic. The bowl's weight and balance are optimized for the formal "Temae" ritual. The glaze inside has a subtle pearlescent quality that reflects the whisked tea beautiful, making it a meditative tool for any practitioner.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:加賀瑞山
- 好み:恵恭尼好(えきょうにごのみ)
- 技法:加賀焼、色絵松文様
- 時代:1980年代(昭和後期)
- 産地:石川県(加賀地方)
- 寸法:高さ 8.0cm、径 12.5cm
- 箱:共箱、陶歴書付き
- 状態:使用感少なく非常に良好、美品
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:加賀瑞山氏は石川県の伝統を受け継ぐ名工です。本作は高名な尼僧であり茶人でもあった恵恭尼の好みを反映しており、茶道における精神的な深みと上品な簡潔さを備えています。
技法と美学:松は日本の精神文化において長寿と不変の象徴です。瑞山氏による繊細な松葉の描写は、静かな力強さと生命力を感じさせ、良質な胎土と調和しています。
詩的一文:数世紀を渡る風の中、揺るぎなく立ち続ける。枯れることのない静かなる緑の約束。
🔹 [ ディープダイブ解説 ]
瑞山氏の作品には、加賀地方特有の力強さと繊細さが共存しています。恵恭尼好みの意匠は、華やかさの中にも修行者のような清廉さを感じさせ、茶席の品格を高めます。茶碗の重さと重心のバランスは、点前での扱いやすさを追求したもので、美しさと実用性を高い次元で並立させています。内側の釉薬が放つ微かな真珠のような光沢は、抹茶の色を美しく反射し、瞑想的なひと時を演出します。
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