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Japanese White Urushi Tea Caddy with Kingfisher Maki-e by Nakamura Kosai
Japanese White Urushi Tea Caddy with Kingfisher Maki-e by Nakamura Kosai
Regular price
Dhs. 986.00 AED
Regular price
Sale price
Dhs. 986.00 AED
Taxes included.
Shipping calculated at checkout.
Experience Authentic Japan Art with this Nakamura Kosai Tea Caddy. This Japanese Tea Ceremony piece serves as a White Urushi Natsume and Kingfisher Maki-e, featuring Lid Interior Detail and Lacquerware Art—a must-have for any Art Collector.
🔹 [ Basic Details ]
- Artist: Nakamura Kosai (中村湖彩)
- Technique: White Lacquer (Shiro-urushi) with Maki-e (Gold/Silver sprinkles) of a kingfisher
- Era: 1990s (Heisei Era)
- Origin: Yamanaka Lacquerware, Ishikawa Prefecture
- Dimensions: approx. Height 7.0 cm, Diameter 7.0 cm (Standard Naka-natsume)
- Box: Original wooden box (Tomobako) included
- Condition: Good vintage condition, unique white lacquer finish
🔹 [ Cultural & Artistic Insight ]
Historical Context: Nakamura Kosai is a master of Yamanaka lacquerware, celebrated for his innovative use of color. The Kingfisher (Hisui) is a bird of good fortune and agility, often associated with the clarity of flowing water.
Technique & Aesthetic: White lacquer is exceptionally difficult to stabilize, making this piece a rare technical achievement. The kingfisher is rendered in delicate Maki-e on the surface, while the interior of the lid features hidden artwork—a "private surprise" for the tea master.
Philosophical Reflection: A flash of turquoise on a field of bone-white silence—cool water flowing through the heart of the ceremony.
🔹 [ Deep-Dive Commentary ]
Kosai's approach to Naka-natsume (Medium Tea Caddies) involves a dialogue between tradition and modern sensibility. The white urushi provides a contemporary, minimalist aesthetic that is perfectly balanced by the classical Maki-e. The painting inside the lid (Ura-e) is a sophisticated Kyoto-inspired element that elevates the piece from a simple tool to a conversation piece. For the collector, this caddy represents the high-skill boundary of provincial lacquerware meeting high-art tea ceremony requirements.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:中村湖彩
- 技法:白漆、翡翠(かわせみ)蒔絵、蓋裏絵付け
- 時代:1990年代(平成時代)
- 産地:山中漆器(石川県)
- 寸法:高さ 約7.0cm、径 約7.0cm(中棗サイズ)
- 箱:共箱付き
- 状態:良好な状態、希少な白漆仕上げ
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:中村湖彩氏は山中漆器の伝統的な職人魂を持ちながら、色彩への新しい挑戦を続ける名工です。翡翠(ひすい)は幸運と敏捷性を象徴する鳥であり、清流の美しさを茶席に運びます。
技法と美学:白漆の安定的な発色は技術的に非常に難易度が高く、本作は作家の高度な職人技を証明しています。表面の蒔絵だけでなく、蓋を開けた瞬間に現れる裏絵は、亭主の「隠れたもてなし」を象徴する粋な演出です。
詩的一文:骨白色の静寂の中に走るトルコ石の閃光。清らかな水流が、茶の湯の心を通い抜けます。
🔹 [ ディープダイブ解説 ]
中棗という限られた空間の中で、湖彩氏は現代的なミニマリズムと古典的な華やかさを融合させています。白漆のモダンな印象は、伝統的な蒔絵技法によって品格を与えられています。山中漆器特有の丈夫さと美しさを兼ね備えており、茶席での実用性はもちろん、鑑賞用としても高い価値を持ちます。蓋裏の意匠は茶の湯の深い楽しみを教えてくれる、知的なコレクター向けの逸品です。
🔹 [ Basic Details ]
- Artist: Nakamura Kosai (中村湖彩)
- Technique: White Lacquer (Shiro-urushi) with Maki-e (Gold/Silver sprinkles) of a kingfisher
- Era: 1990s (Heisei Era)
- Origin: Yamanaka Lacquerware, Ishikawa Prefecture
- Dimensions: approx. Height 7.0 cm, Diameter 7.0 cm (Standard Naka-natsume)
- Box: Original wooden box (Tomobako) included
- Condition: Good vintage condition, unique white lacquer finish
🔹 [ Cultural & Artistic Insight ]
Historical Context: Nakamura Kosai is a master of Yamanaka lacquerware, celebrated for his innovative use of color. The Kingfisher (Hisui) is a bird of good fortune and agility, often associated with the clarity of flowing water.
Technique & Aesthetic: White lacquer is exceptionally difficult to stabilize, making this piece a rare technical achievement. The kingfisher is rendered in delicate Maki-e on the surface, while the interior of the lid features hidden artwork—a "private surprise" for the tea master.
Philosophical Reflection: A flash of turquoise on a field of bone-white silence—cool water flowing through the heart of the ceremony.
🔹 [ Deep-Dive Commentary ]
Kosai's approach to Naka-natsume (Medium Tea Caddies) involves a dialogue between tradition and modern sensibility. The white urushi provides a contemporary, minimalist aesthetic that is perfectly balanced by the classical Maki-e. The painting inside the lid (Ura-e) is a sophisticated Kyoto-inspired element that elevates the piece from a simple tool to a conversation piece. For the collector, this caddy represents the high-skill boundary of provincial lacquerware meeting high-art tea ceremony requirements.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:中村湖彩
- 技法:白漆、翡翠(かわせみ)蒔絵、蓋裏絵付け
- 時代:1990年代(平成時代)
- 産地:山中漆器(石川県)
- 寸法:高さ 約7.0cm、径 約7.0cm(中棗サイズ)
- 箱:共箱付き
- 状態:良好な状態、希少な白漆仕上げ
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:中村湖彩氏は山中漆器の伝統的な職人魂を持ちながら、色彩への新しい挑戦を続ける名工です。翡翠(ひすい)は幸運と敏捷性を象徴する鳥であり、清流の美しさを茶席に運びます。
技法と美学:白漆の安定的な発色は技術的に非常に難易度が高く、本作は作家の高度な職人技を証明しています。表面の蒔絵だけでなく、蓋を開けた瞬間に現れる裏絵は、亭主の「隠れたもてなし」を象徴する粋な演出です。
詩的一文:骨白色の静寂の中に走るトルコ石の閃光。清らかな水流が、茶の湯の心を通い抜けます。
🔹 [ ディープダイブ解説 ]
中棗という限られた空間の中で、湖彩氏は現代的なミニマリズムと古典的な華やかさを融合させています。白漆のモダンな印象は、伝統的な蒔絵技法によって品格を与えられています。山中漆器特有の丈夫さと美しさを兼ね備えており、茶席での実用性はもちろん、鑑賞用としても高い価値を持ちます。蓋裏の意匠は茶の湯の深い楽しみを教えてくれる、知的なコレクター向けの逸品です。
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