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Iro-e Suma Akashi Chawan by Wada Myozan | Kyo-yaki Overglaze Landscape Tea Bowl

Iro-e Suma Akashi Chawan by Wada Myozan | Kyo-yaki Overglaze Landscape Tea Bowl

Regular price Dhs. 649.00 AED
Regular price Sale price Dhs. 649.00 AED
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Experience Authentic Kyo-yaki Tea Ceremony Art with this Iro-e Chawan. This Wada Myozan creation serves as a Suma Akashi Landscape vessel and Overglaze Enamel Bowl, featuring Gold Cloud Painting and Pine Wave Scenery — a compelling Kyo-yaki Tea Bowl for any Japanese Tea Ceremony collector seeking a Signed Tomobako Box.

🔹 [ Basic Details ]
• Artist: Wada Myozan (和田妙山), Myozan kiln
• Technique: Iro-e (overglaze enamel) — gold, green, blue, red on cream body
• Era: Contemporary (2000–2006)
• Origin: Kyoto, Japan
• Dimensions: Height approx. 8 cm, Rim diameter approx. 11.7 cm, Foot diameter approx. 4.8 cm
• Box: Four-sided signed tomobako with pamphlet and yellow cloth
• Condition: Excellent — enamel intact, vivid coloring throughout

🔹 [ Cultural & Artistic Insight ]
Suma and Akashi are chapters from The Tale of Genji — and landscapes that have haunted Japanese poetry for a thousand years. Wada Myozan painted them onto this chawan in the Kyo-yaki tradition: gold clouds frame vignettes of moonlit sea, green pines lean toward cresting waves, and the quiet shore extends beyond the rim.

The back of the bowl opens to near-emptiness — pale cream broken only by small gold cloud medallions. This contrast between narrative richness and deliberate silence is a compositional decision rooted in centuries of Kyoto ceramic practice.

"The landscape wraps halfway, then stops — leaving the viewer to complete the scenery in their own hands."

🔹 [ Deep-Dive Commentary ]
Kyo-yaki iro-e work represents the pinnacle of Japanese overglaze enamel painting. The technique requires multiple firings — the base body first, then successive enamel layers at progressively lower temperatures. Gold is applied last, demanding the most precise hand.

The Suma-Akashi motif carries literary weight that transcends decoration. Prince Genji's exile to Suma and his sojourn in Akashi form the emotional pivot of Murasaki Shikibu's novel — themes of loss, beauty found in solitude, and the persistence of refined sensibility in remote places. A tea bowl bearing this scenery transforms the tea gathering into a literary encounter.

The scalloped gold clouds (kumo-gata) that frame each scene are a classical compositional device from Yamato-e painting, here translated into ceramic enamel with confident brushwork.

[ JAPANESE DESCRIPTION / 日本語解説 ]

🔹 [ 基本情報 ]
• 作家:和田妙山(妙山窯)
• 技法:色絵(金彩・緑・青・赤の上絵付)
• 時代:現代(2000〜2006年頃)
• 産地:京都
• 寸法:高さ約8cm、口径約11.7cm、高台径約4.8cm
• 箱:四方桟共箱・栞・黄布付
• 状態:美品

🔹 [ 文化的・芸術的解説 ]
須磨・明石は源氏物語の舞台であり、千年にわたり日本の詩歌に詠まれてきた名勝です。和田妙山氏は京焼の色絵技法でこの風景を茶碗に写しました。金雲が月下の海と緑松の情景を区切り、裏面は薄いクリーム地に小さな金雲の散らしのみ——物語の豊かさと沈黙の対比が、京焼の構成美を体現しています。

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
Quantity

Low stock: 1 left

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