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Hai-Yu Ash Glaze Tea Bowl by Ishizaki Koshiro - Shisui Kiln Chawan with Signed Box
Hai-Yu Ash Glaze Tea Bowl by Ishizaki Koshiro - Shisui Kiln Chawan with Signed Box
Regular price
Dhs. 892.00 AED
Regular price
Sale price
Dhs. 892.00 AED
Taxes included.
Shipping calculated at checkout.
Experience Authentic Japanese Art with this Hai Yu Ash Glaze Bowl. This Japanese Shisui Kiln Chawan serves as a Green Ash Tea Bowl and Handmade Matcha Ceramic, featuring White Drip Glaze and Artist Signed Box—a must-have for any Art Collector seeking Wabi Sabi Pottery and Zen Tea Ceremony essentials.
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🔹 [ BASIC DETAILS ]
• Artist: Ishizaki Koshiro (石崎光四郎), Shisui-gama
• Technique: Hai-yu (Ash Glaze) with nagashi-gake
• Era: Showa-Heisei Period
• Origin: Japan (Shisui Kiln / 四酔窯)
• Dimensions: Diameter approx. 13 cm (5.1 in), Height approx. 7 cm (2.8 in)
• Box: Tomobako (artist-signed wooden box with seal)
• Condition: Excellent, appears unused
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🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Hai-yu, or ash glaze, represents one of humanity's oldest ceramic glazing techniques—born when wood ash naturally fell onto pottery in ancient kilns. Ishizaki Koshiro of Shisui-gama (Four Intoxications Kiln) continues this primordial tradition with refined artistic intention.
The pale celadon-green base glaze receives dramatic white "nagashi-gake" (poured) stripes that cascade down the bowl's exterior like spring waterfalls. This interplay of controlled technique and natural flow embodies the Japanese aesthetic of balancing human intention with natural forces.
*"White streams descend through moss-green depths—spring melt finding its own path home."*
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🔹 [ DEEP-DIVE COMMENTARY ]
**The Ash Glaze Heritage**: Ash glazes connect modern ceramics to Neolithic origins. Different wood ashes produce distinct colors—this piece likely uses a mixture creating the subtle green-gray tone characteristic of refined hai-yu.
**Nagashi-gake Technique**: The white dripping effect is achieved by pouring a contrasting glaze over the base coat before firing. The glaze flows with gravity, creating organic patterns unique to each piece.
**Shisui-gama Identity**: The kiln name "Four Intoxications" suggests the artist's philosophical approach—perhaps intoxication with clay, fire, form, and beauty. Such poetic naming reflects the spiritual dimension of Japanese ceramic practice.
**Collector Significance**: The tomobako with brush inscription and artist's seal provides complete provenance documentation, essential for authentication and collection building.
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🔹 [ 日本語解説 ]
【基本情報】
• 作家：石崎光四郎（四酔窯）
• 技法：灰釉、流し掛け
• 時代：昭和～平成期
• 産地：日本（四酔窯）
• 寸法：径約13cm、高さ約7cm
• 付属：共箱（落款入り）
• 状態：未使用と思われる良好な状態
【解説】
灰釉は、人類最古の釉薬技法の一つです。古代の窯で木灰が自然に器に降り積もり溶けたことから発見されたこの技法を、四酔窯の石崎光四郎氏が現代に継承しています。
淡い青緑色の地釉に、白い流し掛けが滝のように流れ落ちる景色は、人の意図と自然の力のバランスという日本の美意識を体現しています。「四酔」という窯名も、土・火・形・美への陶酔を示唆する詩的な響きを持っています。
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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*From the Kiln of Four Intoxications, ash becomes art, and fire becomes poetry.*
━━━━━━━━━━━━━━━━━━━━
🔹 [ BASIC DETAILS ]
• Artist: Ishizaki Koshiro (石崎光四郎), Shisui-gama
• Technique: Hai-yu (Ash Glaze) with nagashi-gake
• Era: Showa-Heisei Period
• Origin: Japan (Shisui Kiln / 四酔窯)
• Dimensions: Diameter approx. 13 cm (5.1 in), Height approx. 7 cm (2.8 in)
• Box: Tomobako (artist-signed wooden box with seal)
• Condition: Excellent, appears unused
━━━━━━━━━━━━━━━━━━━━
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Hai-yu, or ash glaze, represents one of humanity's oldest ceramic glazing techniques—born when wood ash naturally fell onto pottery in ancient kilns. Ishizaki Koshiro of Shisui-gama (Four Intoxications Kiln) continues this primordial tradition with refined artistic intention.
The pale celadon-green base glaze receives dramatic white "nagashi-gake" (poured) stripes that cascade down the bowl's exterior like spring waterfalls. This interplay of controlled technique and natural flow embodies the Japanese aesthetic of balancing human intention with natural forces.
*"White streams descend through moss-green depths—spring melt finding its own path home."*
━━━━━━━━━━━━━━━━━━━━
🔹 [ DEEP-DIVE COMMENTARY ]
**The Ash Glaze Heritage**: Ash glazes connect modern ceramics to Neolithic origins. Different wood ashes produce distinct colors—this piece likely uses a mixture creating the subtle green-gray tone characteristic of refined hai-yu.
**Nagashi-gake Technique**: The white dripping effect is achieved by pouring a contrasting glaze over the base coat before firing. The glaze flows with gravity, creating organic patterns unique to each piece.
**Shisui-gama Identity**: The kiln name "Four Intoxications" suggests the artist's philosophical approach—perhaps intoxication with clay, fire, form, and beauty. Such poetic naming reflects the spiritual dimension of Japanese ceramic practice.
**Collector Significance**: The tomobako with brush inscription and artist's seal provides complete provenance documentation, essential for authentication and collection building.
━━━━━━━━━━━━━━━━━━━━
🔹 [ 日本語解説 ]
【基本情報】
• 作家：石崎光四郎（四酔窯）
• 技法：灰釉、流し掛け
• 時代：昭和～平成期
• 産地：日本（四酔窯）
• 寸法：径約13cm、高さ約7cm
• 付属：共箱（落款入り）
• 状態：未使用と思われる良好な状態
【解説】
灰釉は、人類最古の釉薬技法の一つです。古代の窯で木灰が自然に器に降り積もり溶けたことから発見されたこの技法を、四酔窯の石崎光四郎氏が現代に継承しています。
淡い青緑色の地釉に、白い流し掛けが滝のように流れ落ちる景色は、人の意図と自然の力のバランスという日本の美意識を体現しています。「四酔」という窯名も、土・火・形・美への陶酔を示唆する詩的な響きを持っています。
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*From the Kiln of Four Intoxications, ash becomes art, and fire becomes poetry.*
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