Hagi Ware Tea Bowl by Hirose Tanga - Biwa Color Chawan from Yakitsubaki Kiln with Box

Experience Authentic Japan Art with this Hagi Ware Tea Bowl. This Japanese Matcha Chawan serves as a Hirose Tanga Pottery and Yakitsubaki Kiln Ceramic, featuring Biwa Color Glaze aesthetics and Seven Transformations tradition—a must-have for any Art Collector seeking Yamaguchi Prefecture Art and Wabi Sabi Tea Bowl.

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🔹 [ BASIC DETAILS ]

• Artist: Hirose Tanga (廣瀬淡雅)
• Technique: Classic Hagi glaze with natural crazing (kannyu)
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Hagi, Yamaguchi Prefecture, Japan (Yakitsubaki Kiln/焼椿窯)
• Dimensions: Height approx. 8.5 cm, Diameter approx. 14.5 cm
• Box: Signed tomobako with kiln seal and provenance document
• Condition: Excellent

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🔹 [ CULTURAL & ARTISTIC INSIGHT ]

Hagi ware (萩焼) holds a legendary place in Japanese tea culture, traditionally ranked "first Raku, second Hagi, third Karatsu" (一楽二萩三唐津) among tea bowls. This ranking, established by generations of tea masters, recognizes Hagi's unique ability to evolve with use—the famous "seven transformations" (萩の七化け) through which the soft, porous clay gradually absorbs tea oils, deepening and enriching its appearance over years of practice.

Hirose Tanga's bowl from the Yakitsubaki (Camellia) Kiln exemplifies the warm "biwa-iro" (loquat color) that characterizes classic Hagi ware. The peachy-orange surface, scattered with white feldspar crystals, creates a surface reminiscent of autumn fruit or dawn clouds.

*"Seven lifetimes of tea, seven transformations of beauty—Hagi bowls remember every moment of shared silence."*

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🔹 [ DEEP-DIVE COMMENTARY ]

**The Hagi Legacy**: Hagi ware originated in the early 17th century when Korean potters, brought to Japan by the feudal lord Mori Terumoto, established kilns in Yamaguchi Prefecture. For over 400 years, these kilns have produced wares treasured by tea practitioners for their soft, inviting character.

**Technical Achievement**: The distinctive Hagi glaze derives from local materials—Daido clay combined with feldspar and wood ash. The relatively porous body and crackled glaze are not flaws but features: they allow the bowl to "breathe" and evolve through use.

**Collector Significance**: The provenance document (yuraisho) included with this piece traces the kiln's history and authenticates the artist's work. Such documentation is particularly valuable for collectors building serious Hagi collections.

**Living with Hagi**: Unlike harder stonewares, Hagi bowls are meant to be used, not merely displayed. Each tea preparation leaves microscopic deposits that gradually transform the surface, creating a personalized patina that reflects the owner's practice.

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🔹 [ 日本語解説 ]

【基本情報】
• 作家：廣瀬淡雅
• 技法：萩釉・貫入
• 時代：現代（平成〜令和）
• 産地：山口県萩（焼椿窯）
• 寸法：高さ約8.5cm、口径約14.5cm
• 付属：共箱・窯印・由来書
• 状態：良好

【解説】
萩焼は「一楽二萩三唐津」と称され、茶の湯において最高位に位置付けられる茶碗です。使い込むほどに味わいを増す「萩の七化け」は、多孔質の素地と貫入釉によって実現されます。

廣瀬淡雅による本作は、焼椿窯の伝統を継承し、枇杷色と呼ばれる温かみのある釉調を見せています。白い長石結晶が散りばめられた表面は、秋の果実や暁の雲を思わせます。

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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials

*Hold this bowl through seven seasons, and it will hold your seven selves—each transformation a testament to tea's quiet alchemy.*