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Hagi Ware Tea Bowl by Eikyu Shosai - Toshoan White Glaze Chawan with Signed Box

Hagi Ware Tea Bowl by Eikyu Shosai - Toshoan White Glaze Chawan with Signed Box

Regular price Dhs. 846.00 AED
Regular price Sale price Dhs. 846.00 AED
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Experience authentic Japanese tea culture with this Hagi Ware Tea Bowl. This Japanese Chawan serves as an Eikyu Shosai Pottery and Toshoan Studio Ceramic, featuring White Hagi Glaze artistry and Kannyu Crackling tradition—a must-have for any Art Collector seeking Yamaguchi Prefecture Art and Wabi Sabi Tea Bowl.

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🔹 [ BASIC DETAILS ]

• Artist: Eikyu Shosai (永久勝斎), studio name Toshoan (陶勝庵)
• Technique: White Hagi glaze with natural kannyu crackling
• Era: Contemporary (Heisei–Reiwa period)
• Origin: Hagi, Yamaguchi Prefecture, Japan
• Dimensions: Height approx. 8 cm, Diameter approx. 12 cm (3.1" × 4.7")
• Box: Signed tomobako with artist signature and Toshoan seal
• Condition: Excellent — no chips, cracks, or repairs

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🔹 [ CULTURAL & ARTISTIC INSIGHT ]

Hagi ware holds a singular position in the hierarchy of Japanese tea ceramics, traditionally ranked second only to Raku in the saying "ichi Raku, ni Hagi, san Karatsu." What distinguishes Hagi from all other wares is the phenomenon known as "Hagi no nanabake" — the seven transformations. Over years of use with matcha, tea gradually seeps through the porous glaze and its crazing network, causing the bowl's color to shift and deepen in ways unique to each owner's hand.

This bowl by Eikyu Shosai exemplifies the aesthetic. The white Hagi glaze is applied generously, pooling in the interior and thinning at the rim to reveal the warm, iron-rich clay body. The kannyu crackling that covers the entire surface is not a defect but the very mechanism through which time will write its story onto this vessel.

*"Each session of tea leaves an invisible trace — accumulated over years, the bowl becomes a diary written in matcha."*

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🔹 [ DEEP-DIVE COMMENTARY ]

**The Hagi Tradition**: Hagi ware traces its origins to Korean potters brought to Japan in the early 1600s. The porous Daido clay and translucent white glaze create a surface uniquely receptive to change, making Hagi the only major Japanese ceramic tradition that actively improves through daily use.

**Technical Achievement**: The hand-formed quality is immediately apparent in the gentle undulation of the rim — no two points along the lip sit at the same height. This irregularity reflects the wabi-cha philosophy that prizes the imperfect and unrepeatable. The base is left unglazed in the tsuchimise style, exposing the sandy, coarse-grained Daido clay.

**Collector Significance**: The tomobako carries the inscription "永久勝斎" alongside the Toshoan studio seal, confirming provenance. Eikyu Shosai works within the established Hagi tradition while bringing a restrained personal touch — the glaze application is neither too thick nor too thin.

**Contemporary Practice**: This bowl's size and form make it ideal for daily tea practice. Its transformation will be most visible after six months to a year of regular use, as tea stains gradually fill the crackling network.

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🔹 [ 日本語解説 ]

【基本情報】
• 作家:永久勝斎(陶勝庵)
• 技法:白萩釉・貫入
• 時代:現代(平成〜令和)
• 産地:山口県萩
• 寸法:高さ約8cm、口径約12cm
• 付属:共箱(署名・印あり)
• 状態:良好(割れ欠けなし)

【解説】
萩焼の茶碗。陶勝庵・永久勝斎の作。白萩釉が全体に掛けられ、美しい貫入が器面を覆います。手捻りによる不規則な口縁が茶碗に有機的な表情を与え、高台は土見せで萩の大道土の温かみのある素地が露出しています。「一楽二萩三唐津」と称される萩焼の茶碗は、使い込むほどに茶が貫入に染み込み「萩の七化け」と呼ばれる経年変化を見せることで知られます。

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🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials

*A tea bowl that will continue its transformation long after it reaches you — each session adding another layer to its quiet biography.*
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