Gwangju Kiln Korean White Porcelain Kogo — Hexagonal, Iron-Red Plum, Tomobako | 廣州窯 白磁香合

A hexagonal kogo from the Gwangju kilns of Korea, painted in iron-red plum blossom and gosu-blue branch against a crackled white ground that holds the composition the way winter holds silence. The six faces turn the piece into a continuous scroll — each panel a different arrangement of branch, each transition a small surprise.

🔹 [ BASIC DETAILS ]
- Artist/Maker: Gwangju Kiln (廣州窯), Korea
- Title: White Porcelain Kogo (白磁香合)
- Dimensions: Approx. diameter 6.7 cm, height 3.2 cm
- Condition: Good antique condition; craquelure throughout is age-consistent
- Comes with: Original tomobako (wooden box) inscribed "白磁 香合 廣州窯" with red seal

The Gwangju kilns of Gyeonggi Province supplied the Joseon royal court for centuries. White porcelain — baekja — was the material language of Confucian restraint: clarity over ornamentation, structure over excess. The craquelure that now maps this surface was not intended but has become inseparable from what this piece is — a record of its own aging, rendered in a fine network of lines that give the white glaze its depth.

Iron-red (辰砂, jinsha) and cobalt blue (gosu) together on white porcelain represent a meeting of mineral vocabularies. The plum — first bloom before the snow retreats — carries its own cultural weight in both Korean and Japanese contexts: endurance made visible, not celebrated. For chado, this kogo arrives with a pedigree that exceeds ornament. It is a document of a ceramic tradition that shaped Japanese sensibility across the water.

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
• Insurance: Included for all shipments
• Note: Import duties and taxes may apply depending on your country's regulations

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廣州窯（韓国・京畿道）の六角形白磁香合。辰砂（鉄赤）で描かれた梅花と呉須の枝が、六面のそれぞれに異なる構図で展開し、器の周囲を一続きの枝景として成立させている。

朝鮮王朝の官窯として知られる廣州窯の白磁は、儒教的な清明さを体現する器として制作された。白地に刻まれた貫入は経年の証であり、その細かな亀裂の網目が白釉に奥行きをもたらしている。

茶道の香合として用いる場合、この作品が持つ韓国陶磁の文脈は、日本の侘び茶の精神と深く共鳴する。梅の意匠は早春の席にふさわしく、白磁の静けさは香を引き立てる器としての役割を静かに担う。共箱に「白磁 香合 廣州窯」の銘と朱印あり。