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Furumatsu Atsushi Hakeme Guinomi - Brush-Marked Sake Cup with Iron Oxide Painting
Furumatsu Atsushi Hakeme Guinomi - Brush-Marked Sake Cup with Iron Oxide Painting
Regular price
Dhs. 866.00 AED
Regular price
Sale price
Dhs. 866.00 AED
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Experience authentic Japanese ceramics with this Furumatsu Atsushi Hakeme Guinomi. This Brush-Marked Sake Cup serves as a Yi Dynasty Heritage and Korean Influence Pottery, featuring White Slip Hakeme and Iron Oxide Painting—a must-have for any Art Collector seeking Joseon Style Ceramics and Japanese Sake Vessels.
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🔹 [ BASIC DETAILS ]
• Artist: Furumatsu Atsushi (古松淳志)
• Type: Guinomi (ぐい呑) — sake cup
• Technique: Hakeme (刷毛目) — brush-marked white slip with iron oxide painting
• Era: Contemporary
• Origin: Japan (Yi Dynasty / Korean classical influence)
• Dimensions: Dia approx. 9.2 cm × H approx. 4.4 cm
• Box: Tomobako (signed with two red seals) + cloth wrapper + pamphlet
• Condition: Excellent
━━━━━━━━━━━━━━━━━━━━
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Hakeme — the technique of dragging a coarse brush loaded with white slip across a dark clay body — originated in the kilns of Joseon-dynasty Korea. The method was never about precision. It was about the energy stored in a single pass of the brush, the way each bristle left its own furrow, and the refusal to correct what the hand delivered.
Furumatsu Atsushi has absorbed this lineage and given it his own authorship. The wide, shallow bowl form sits low and open — a shape that invites sake to spread thin across a broad surface, releasing fragrance upward. The white-grey hakeme slip covers the body in sweeping arcs, each brushstroke preserving the speed and pressure of the moment it was made. Over this textured ground, bold iron oxide painting wraps the exterior in an abstract pattern suggesting waves or clouds — forms that resist naming and reward repeated looking.
The compact foot draws the composition inward, lending the cup what the original listing describes as a "composed impression" (締まった器の印象). This is a guinomi of considerable presence — not from size, but from the dialogue between the energetic brush surface and the grounded, quiet form beneath.
*"The brush remembers what the hand has already forgotten."*
━━━━━━━━━━━━━━━━━━━━
🔹 [ DEEP-DIVE COMMENTARY ]
**Hakeme (刷毛目)**: White slip applied with a coarse brush in rapid, confident strokes. The technique demands commitment — there is no erasing or layering. Each pass of the brush is a single decision preserved in clay. The grey-white tones visible on this cup suggest the slip was applied thinly in places, allowing the darker body to breathe through — an interplay of concealment and revelation.
**Iron Oxide Painting (鉄絵)**: The dark brown abstract design painted over the hakeme ground adds a second gestural layer. Where the brushed slip is diffuse and atmospheric, the iron painting is bold and declarative. This contrast — soft ground against strong mark — is central to the Yi Dynasty aesthetic that Furumatsu channels. The pattern wraps the exterior without repeating, giving the cup a different character from every angle.
**Yi Dynasty Influence (李朝)**: Japanese potters have studied Korean Joseon-era ceramics for centuries, drawn to their directness and lack of self-consciousness. Furumatsu works within this tradition not as imitation but as continuation — filtering Korean ceramic philosophy through his own sensibility. The original listing notes the piece carries "classical dignity" (古格), a quality that emerges when technique becomes transparent to intention.
**Form and Function**: At 9.2 cm wide and only 4.4 cm tall, this is a generous, open guinomi designed for contemplative drinking. The broad surface allows sake to breathe. The shallow walls let the drinker see the interior hakeme texture through the liquid — an experience that changes with each pour.
━━━━━━━━━━━━━━━━━━━━
🔹 [ 日本語解説 ]
【基本情報】
• 作家：古松淳志
• 技法：刷毛目・鉄絵
• 時代：現代
• 産地：日本（李朝の影響）
• 寸法：径 約9.2cm × 高さ 約4.4cm
• 付属：共箱（二印あり）・布・栞
• 状態：良好
【解説】
李朝陶磁の精神を受け継ぐ古松淳志の刷毛目ぐい呑です。白化粧土を荒い刷毛で一気に掛け、その上から鉄釉で大胆な抽象文様を描いています。刷毛の一筋一筋に作り手の呼吸が宿り、鉄絵の力強い筆致との対比が、器に奥行きのある表情を与えています。
やや小さめの高台が全体を引き締め、古格を感じさせる存在感のあるぐい呑に仕上がっています。広く浅い碗形は酒の香りを開かせ、口縁から見える刷毛目の景色を酒越しに楽しむことができます。
朝鮮陶磁の伝統を日本の作り手が自らの感性で昇華した一碗。刷毛の記憶と鉄の意志が、掌の中で静かに共存しています。
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*Where brush meets clay, a conversation begins that sake will one day finish.*
━━━━━━━━━━━━━━━━━━━━
🔹 [ BASIC DETAILS ]
• Artist: Furumatsu Atsushi (古松淳志)
• Type: Guinomi (ぐい呑) — sake cup
• Technique: Hakeme (刷毛目) — brush-marked white slip with iron oxide painting
• Era: Contemporary
• Origin: Japan (Yi Dynasty / Korean classical influence)
• Dimensions: Dia approx. 9.2 cm × H approx. 4.4 cm
• Box: Tomobako (signed with two red seals) + cloth wrapper + pamphlet
• Condition: Excellent
━━━━━━━━━━━━━━━━━━━━
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Hakeme — the technique of dragging a coarse brush loaded with white slip across a dark clay body — originated in the kilns of Joseon-dynasty Korea. The method was never about precision. It was about the energy stored in a single pass of the brush, the way each bristle left its own furrow, and the refusal to correct what the hand delivered.
Furumatsu Atsushi has absorbed this lineage and given it his own authorship. The wide, shallow bowl form sits low and open — a shape that invites sake to spread thin across a broad surface, releasing fragrance upward. The white-grey hakeme slip covers the body in sweeping arcs, each brushstroke preserving the speed and pressure of the moment it was made. Over this textured ground, bold iron oxide painting wraps the exterior in an abstract pattern suggesting waves or clouds — forms that resist naming and reward repeated looking.
The compact foot draws the composition inward, lending the cup what the original listing describes as a "composed impression" (締まった器の印象). This is a guinomi of considerable presence — not from size, but from the dialogue between the energetic brush surface and the grounded, quiet form beneath.
*"The brush remembers what the hand has already forgotten."*
━━━━━━━━━━━━━━━━━━━━
🔹 [ DEEP-DIVE COMMENTARY ]
**Hakeme (刷毛目)**: White slip applied with a coarse brush in rapid, confident strokes. The technique demands commitment — there is no erasing or layering. Each pass of the brush is a single decision preserved in clay. The grey-white tones visible on this cup suggest the slip was applied thinly in places, allowing the darker body to breathe through — an interplay of concealment and revelation.
**Iron Oxide Painting (鉄絵)**: The dark brown abstract design painted over the hakeme ground adds a second gestural layer. Where the brushed slip is diffuse and atmospheric, the iron painting is bold and declarative. This contrast — soft ground against strong mark — is central to the Yi Dynasty aesthetic that Furumatsu channels. The pattern wraps the exterior without repeating, giving the cup a different character from every angle.
**Yi Dynasty Influence (李朝)**: Japanese potters have studied Korean Joseon-era ceramics for centuries, drawn to their directness and lack of self-consciousness. Furumatsu works within this tradition not as imitation but as continuation — filtering Korean ceramic philosophy through his own sensibility. The original listing notes the piece carries "classical dignity" (古格), a quality that emerges when technique becomes transparent to intention.
**Form and Function**: At 9.2 cm wide and only 4.4 cm tall, this is a generous, open guinomi designed for contemplative drinking. The broad surface allows sake to breathe. The shallow walls let the drinker see the interior hakeme texture through the liquid — an experience that changes with each pour.
━━━━━━━━━━━━━━━━━━━━
🔹 [ 日本語解説 ]
【基本情報】
• 作家：古松淳志
• 技法：刷毛目・鉄絵
• 時代：現代
• 産地：日本（李朝の影響）
• 寸法：径 約9.2cm × 高さ 約4.4cm
• 付属：共箱（二印あり）・布・栞
• 状態：良好
【解説】
李朝陶磁の精神を受け継ぐ古松淳志の刷毛目ぐい呑です。白化粧土を荒い刷毛で一気に掛け、その上から鉄釉で大胆な抽象文様を描いています。刷毛の一筋一筋に作り手の呼吸が宿り、鉄絵の力強い筆致との対比が、器に奥行きのある表情を与えています。
やや小さめの高台が全体を引き締め、古格を感じさせる存在感のあるぐい呑に仕上がっています。広く浅い碗形は酒の香りを開かせ、口縁から見える刷毛目の景色を酒越しに楽しむことができます。
朝鮮陶磁の伝統を日本の作り手が自らの感性で昇華した一碗。刷毛の記憶と鉄の意志が、掌の中で静かに共存しています。
━━━━━━━━━━━━━━━━━━━━
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
*Where brush meets clay, a conversation begins that sake will one day finish.*
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