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Bizen Carved Tea Bowl by Kawasaki Yasuhide — Incised Geometric Chawan
Bizen Carved Tea Bowl by Kawasaki Yasuhide — Incised Geometric Chawan
Regular price
Dhs. 800.00 AED
Regular price
Sale price
Dhs. 800.00 AED
Taxes included.
Shipping calculated at checkout.
A Bizen stoneware tea bowl by Kawasaki Yasuhide, shaped with quiet authority and carved with an incised geometric pattern that catches ash and flame in equal measure. This Japanese tea ceremony chawan carries the kiln's signature — natural ash glaze deposits of golden goma sesame across its surface, dark koge scorching along one flank, and the warm earthen presence that only a wood-fired Bizen ceramic can hold. A handmade pottery piece of undeniable cultural weight, arrived with its signed wooden box.
🔹 [ DETAILS ]
• Artist: Kawasaki Yasuhide (川崎靖英)
• Type: Tea Bowl (茶碗 / Chawan)
• Technique: Bizen-yaki — unglazed wood-fired stoneware with incised carved decoration
• Origin: Bizen, Okayama Prefecture, Japan
• Period: Contemporary
• Dimensions: W ~11.5 cm × H ~7.5 cm
• Box: Signed wooden box (共箱) with red seal by the artist
• Condition: Unused. May have minor surface scuffs consistent with kiln origin. No chips, cracks, or repairs.
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Bizen is earth that remembers fire.
Among the Six Ancient Kilns of Japan, Bizen stands singular — no glaze applied, no decoration painted. Every mark on this bowl was authored by the kiln itself over days of continuous wood firing, where pine ash settled and fused, where flame kissed clay into permanent memory. The tradition stretches back over a thousand years in Okayama Prefecture, where potters still feed their anagama kilns around the clock, surrendering control to the physics of combustion and the chemistry of earth.
Kawasaki Yasuhide works within this lineage but asserts his own authorship through the bold incised cross-hatch pattern carved into the body of this chawan. The geometric lattice creates a tactile landscape — ridges that trap golden goma deposits in their valleys, edges that glow where the kiln's heat concentrated. This is not mere decoration; it is collaboration between the potter's hand and the fire's will.
🔹 [ DEEP-DIVE COMMENTARY ]
The form of this tea bowl sits lower and wider than the typical Bizen chawan, suggesting an awareness of the wabi-cha aesthetic where the bowl rests with gravity rather than reaching upward. In the hand, its compact roundness would offer warmth and presence — the density of intention that distinguishes a tea bowl made for use from one made for display.
The surface tells its kiln story with clarity. The upper portion bears generous sesame-like goma — those golden glass droplets formed when pine ash lands on raw clay at temperatures above 1200°C and fuses into natural glaze. Below the carved pattern, darker koge scorching reveals where the bowl sat in relation to the fire's path. The interior opens into mottled brown and gold tones, a landscape that would shift and deepen when filled with matcha.
The incised geometric pattern is Kawasaki's distinctive contribution. Where many Bizen potters leave the surface entirely to the kiln, he intervenes with precise carved lines that create a dialogue between human intention and natural process. The cross-hatching catches ash differently than smooth clay — creating micro-environments where goma pools in the grooves while ridges develop their own fire-color. The result is a surface of remarkable depth, readable by eye and by touch.
The signed wooden box (共箱) confirms the artist's hand. The inscription reads 備前 茶碗 (Bizen Chawan) with the artist's name 靖英 and a red circular seal — the traditional format of authentication that has accompanied Japanese ceramics for centuries. This box is not packaging; it is provenance.
🔹 [ 日本語解説 ]
• 作家：川崎靖英（かわさき やすひで）
• 種類：茶碗
• 技法：備前焼 — 無釉薬の薪窯焼成、線刻幾何学文様入り
• 産地：岡山県備前市
• 時代：現代
• 寸法：幅 約11.5cm × 高さ 約7.5cm
• 箱：共箱（作家署名・朱印あり）
• 状態：未使用。窯出し由来の微細な擦れがある場合があります。欠け・ヒビ・修理なし。
備前は、火の記憶を宿す土である。
日本六古窯のひとつ備前焼は、釉薬を一切施さず、松割木による長時間の窯焚きによって土と炎の対話から景色を生み出す。川崎靖英はこの伝統の中に独自の作家性を刻む。大胆な線刻による幾何学文様が器肌に彫り込まれ、その溝に胡麻（ごま）が溜まり、稜線には焦げが走る。人の手と窯の意志が交差する地点に、この茶碗は在る。
低く広がりのある造形はわび茶の美意識を宿し、手に取れば重力と共に掌に落ち着く。内側には褐色と金色が入り混じる窯変の景色が広がり、抹茶を点てればさらに深い表情を見せるだろう。
共箱には「備前 茶碗」の箱書きと「靖英」の署名、朱の丸印が捺されている。箱は単なる収納ではなく、作家の手から離れたことの証明である。
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
🔹 [ DETAILS ]
• Artist: Kawasaki Yasuhide (川崎靖英)
• Type: Tea Bowl (茶碗 / Chawan)
• Technique: Bizen-yaki — unglazed wood-fired stoneware with incised carved decoration
• Origin: Bizen, Okayama Prefecture, Japan
• Period: Contemporary
• Dimensions: W ~11.5 cm × H ~7.5 cm
• Box: Signed wooden box (共箱) with red seal by the artist
• Condition: Unused. May have minor surface scuffs consistent with kiln origin. No chips, cracks, or repairs.
🔹 [ CULTURAL & ARTISTIC INSIGHT ]
Bizen is earth that remembers fire.
Among the Six Ancient Kilns of Japan, Bizen stands singular — no glaze applied, no decoration painted. Every mark on this bowl was authored by the kiln itself over days of continuous wood firing, where pine ash settled and fused, where flame kissed clay into permanent memory. The tradition stretches back over a thousand years in Okayama Prefecture, where potters still feed their anagama kilns around the clock, surrendering control to the physics of combustion and the chemistry of earth.
Kawasaki Yasuhide works within this lineage but asserts his own authorship through the bold incised cross-hatch pattern carved into the body of this chawan. The geometric lattice creates a tactile landscape — ridges that trap golden goma deposits in their valleys, edges that glow where the kiln's heat concentrated. This is not mere decoration; it is collaboration between the potter's hand and the fire's will.
🔹 [ DEEP-DIVE COMMENTARY ]
The form of this tea bowl sits lower and wider than the typical Bizen chawan, suggesting an awareness of the wabi-cha aesthetic where the bowl rests with gravity rather than reaching upward. In the hand, its compact roundness would offer warmth and presence — the density of intention that distinguishes a tea bowl made for use from one made for display.
The surface tells its kiln story with clarity. The upper portion bears generous sesame-like goma — those golden glass droplets formed when pine ash lands on raw clay at temperatures above 1200°C and fuses into natural glaze. Below the carved pattern, darker koge scorching reveals where the bowl sat in relation to the fire's path. The interior opens into mottled brown and gold tones, a landscape that would shift and deepen when filled with matcha.
The incised geometric pattern is Kawasaki's distinctive contribution. Where many Bizen potters leave the surface entirely to the kiln, he intervenes with precise carved lines that create a dialogue between human intention and natural process. The cross-hatching catches ash differently than smooth clay — creating micro-environments where goma pools in the grooves while ridges develop their own fire-color. The result is a surface of remarkable depth, readable by eye and by touch.
The signed wooden box (共箱) confirms the artist's hand. The inscription reads 備前 茶碗 (Bizen Chawan) with the artist's name 靖英 and a red circular seal — the traditional format of authentication that has accompanied Japanese ceramics for centuries. This box is not packaging; it is provenance.
🔹 [ 日本語解説 ]
• 作家：川崎靖英（かわさき やすひで）
• 種類：茶碗
• 技法：備前焼 — 無釉薬の薪窯焼成、線刻幾何学文様入り
• 産地：岡山県備前市
• 時代：現代
• 寸法：幅 約11.5cm × 高さ 約7.5cm
• 箱：共箱（作家署名・朱印あり）
• 状態：未使用。窯出し由来の微細な擦れがある場合があります。欠け・ヒビ・修理なし。
備前は、火の記憶を宿す土である。
日本六古窯のひとつ備前焼は、釉薬を一切施さず、松割木による長時間の窯焚きによって土と炎の対話から景色を生み出す。川崎靖英はこの伝統の中に独自の作家性を刻む。大胆な線刻による幾何学文様が器肌に彫り込まれ、その溝に胡麻（ごま）が溜まり、稜線には焦げが走る。人の手と窯の意志が交差する地点に、この茶碗は在る。
低く広がりのある造形はわび茶の美意識を宿し、手に取れば重力と共に掌に落ち着く。内側には褐色と金色が入り混じる窯変の景色が広がり、抹茶を点てればさらに深い表情を見せるだろう。
共箱には「備前 茶碗」の箱書きと「靖英」の署名、朱の丸印が捺されている。箱は単なる収納ではなく、作家の手から離れたことの証明である。
🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials
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