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Authentic Hagi-yaki Matcha Bowl by Udagawa Seiya, Pale Beige Glaze
Authentic Hagi-yaki Matcha Bowl by Udagawa Seiya, Pale Beige Glaze
Regular price
Dhs. 735.00 AED
Regular price
Sale price
Dhs. 735.00 AED
Taxes included.
Shipping calculated at checkout.
Experience Authentic Japan Art with this Hagi-yaki Matcha Bowl. This Japanese Tea Ceremony piece serves as a Udagawa Seiya Ware and Pale Beige Chawan, featuring Wabi Sabi Pottery and Handmade Tea Cup—a must-have for any Art Collector.
🔹 [ Basic Details ]
- Artist: Udagawa Seiya (宇田川聖谷)
- Technique: Hagi-yaki (萩焼) with pale beige glaze
- Era: 1980s (Late Showa / Heisei transition)
- Origin: Hagi, Yamaguchi Prefecture
- Dimensions: approx. Height 8.5 cm, Diameter 13.0 cm (Standard Chawan size)
- Box: Covered with the artist's seal
- Condition: Excellent vintage condition
🔹 [ Cultural & Artistic Insight ]
Historical Context: Hagi ware is one of the most prestigious styles of Japanese pottery, originating from the 17th century. It is famously ranked second after Raku in the tea ceremony hierarchy: "First Raku, second Hagi, third Karatsu."
Technique & Aesthetic: The pale beige glaze of this bowl captures the essence of "Nanafuke" (seven changes), where the bowl's color evolves over decades of use as tea penetrates the fine cracks in the glaze. The soft, earthy texture embodies the wabi-sabi philosophy of finding beauty in imperfection.
Philosophical Reflection: The soft glaze holds the warmth of tea like a morning mist on a quiet spring hill.
🔹 [ Deep-Dive Commentary ]
Udagawa Seiya is a recognized master of Hagi-yaki, known for his refined use of traditional clays and glazes. The "Hagi-yaki" style uses a mixture of red and white clays that result in its characteristic soft, porous feel. This particular piece showcases a "wafer-like" texture that is highly prized by tea practitioners for its tactile comfort. The unglazed base (Kōdai) reveals the natural beauty of the Yamaguchi clay, providing a grounding contrast to the smooth interior.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:宇田川聖谷
- 技法:萩焼、淡ベージュ釉
- 時代:1980年代(昭和後期〜平成)
- 産地:山口県、萩
- 寸法:高さ 約8.5cm、径 約13.0cm
- 箱:共箱(作者印あり)
- 状態:非常に良好なヴィンテージコンディション
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:萩焼は「一楽、二萩、三唐津」と称され、茶道において極めて高い評価を得ている様式です。17世紀以来、山口県萩市を中心に継承されてきました。
技法と美学:この茶碗の淡いベージュの釉薬は、年月を経て茶が貫入に染み込み、色が変化していく「萩の七化け」を予感させます。素朴で土の温もりを感じさせる質感は、侘び寂びの精神を体現しています。
詩的一文:柔らかな釉薬は、静かな春の丘に立つ朝霧のように温かな茶を受け止めます。
🔹 [ ディープダイブ解説 ]
宇田川聖谷氏は、伝統的な素材と技法に精通した萩焼の現代名工です。萩焼特有の「大道土」と赤土を混ぜ合わせた胎土は、多孔質で吸水性が高く、使い込むほどに味わいが増します。高台(底部分)に見える荒々しくも美しい土見せは、作家の確かな技術を象徴しており、茶席での鑑賞の重要なポイントとなります。
🔹 [ Basic Details ]
- Artist: Udagawa Seiya (宇田川聖谷)
- Technique: Hagi-yaki (萩焼) with pale beige glaze
- Era: 1980s (Late Showa / Heisei transition)
- Origin: Hagi, Yamaguchi Prefecture
- Dimensions: approx. Height 8.5 cm, Diameter 13.0 cm (Standard Chawan size)
- Box: Covered with the artist's seal
- Condition: Excellent vintage condition
🔹 [ Cultural & Artistic Insight ]
Historical Context: Hagi ware is one of the most prestigious styles of Japanese pottery, originating from the 17th century. It is famously ranked second after Raku in the tea ceremony hierarchy: "First Raku, second Hagi, third Karatsu."
Technique & Aesthetic: The pale beige glaze of this bowl captures the essence of "Nanafuke" (seven changes), where the bowl's color evolves over decades of use as tea penetrates the fine cracks in the glaze. The soft, earthy texture embodies the wabi-sabi philosophy of finding beauty in imperfection.
Philosophical Reflection: The soft glaze holds the warmth of tea like a morning mist on a quiet spring hill.
🔹 [ Deep-Dive Commentary ]
Udagawa Seiya is a recognized master of Hagi-yaki, known for his refined use of traditional clays and glazes. The "Hagi-yaki" style uses a mixture of red and white clays that result in its characteristic soft, porous feel. This particular piece showcases a "wafer-like" texture that is highly prized by tea practitioners for its tactile comfort. The unglazed base (Kōdai) reveals the natural beauty of the Yamaguchi clay, providing a grounding contrast to the smooth interior.
[ JAPANESE DESCRIPTION / 日本語解説 ]
🔹 [ 詳細スペック ]
- 作家:宇田川聖谷
- 技法:萩焼、淡ベージュ釉
- 時代:1980年代(昭和後期〜平成)
- 産地:山口県、萩
- 寸法:高さ 約8.5cm、径 約13.0cm
- 箱:共箱(作者印あり)
- 状態:非常に良好なヴィンテージコンディション
🔹 [ 文化的・芸術的洞察 ]
歴史的背景:萩焼は「一楽、二萩、三唐津」と称され、茶道において極めて高い評価を得ている様式です。17世紀以来、山口県萩市を中心に継承されてきました。
技法と美学:この茶碗の淡いベージュの釉薬は、年月を経て茶が貫入に染み込み、色が変化していく「萩の七化け」を予感させます。素朴で土の温もりを感じさせる質感は、侘び寂びの精神を体現しています。
詩的一文:柔らかな釉薬は、静かな春の丘に立つ朝霧のように温かな茶を受け止めます。
🔹 [ ディープダイブ解説 ]
宇田川聖谷氏は、伝統的な素材と技法に精通した萩焼の現代名工です。萩焼特有の「大道土」と赤土を混ぜ合わせた胎土は、多孔質で吸水性が高く、使い込むほどに味わいが増します。高台(底部分)に見える荒々しくも美しい土見せは、作家の確かな技術を象徴しており、茶席での鑑賞の重要なポイントとなります。
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