9th-Gen Ohi Chozaemon Amber Glaze Chawan | Deep Koicha Bowl | Artist-Signed Box | Authenticated

A second amber glaze chawan from the 9th-generation Ohi Chozaemon, where the glaze descends in dark vertical rivulets over a body of amber-brown — a Japanese tea ceremony bowl of considerable depth and authority. This Ohi chawan authenticated tomobako piece bears the artist's own signature and seal on the original box, with accompanying fabric (共布). The form is wide and generous, the cutting at the hip powerful; this is a bowl made for thick tea.

🔹 [ Basic Details ]
• Artist: 9th-generation Ohi Chozaemon (九代 大樋長左衛門)
• Ware: Ohi-yaki (大樋焼), Kanazawa, Ishikawa Prefecture
• Form: Amber-glaze chawan (飴釉茶碗), koicha-size
• Dimensions: Mouth approx. 10.5 cm, height approx. 8.5 cm
• Box: Original signed wooden box (共箱) with artist autograph and personal seal; accompanying fabric (共布) included
• Condition: No chips, no repairs; excellent overall condition
• Authentication note: The 9th-generation's characteristic deep amber with vertical dark striations; tomobako bears confirmed autograph

🔹 [ Cultural & Artistic Insight ]
Within the Ohi school, each generation's amber glaze is subtly differentiated — the temperature of the orange, the depth of the brown, the presence or absence of surface texture. The 9th generation is known for a particular quality of darkness within the amber field: the glaze does not simply sit on the surface but appears to pool and deepen, giving the bowl an interior luminosity. The hip cutting (腰の削り込み) is a technical signature — bold, confident strokes that define the transition from base to body and make the bowl feel deliberately constructed rather than simply thrown.

🔹 [ Deep-Dive Commentary ]
This bowl and the companion piece (row 626) demonstrate the range within a single generation's output. Where that piece is more restrained in glaze movement, this example shows the full amber field broken by dark vertical drips — the kiln atmosphere having pulled the iron oxide into motion at a critical moment. The result is a surface that reads differently from every angle, the dark lines creating a dynamic around the bowl's circumference.

At 10.5 cm mouth and 8.5 cm height, this bowl is slightly taller relative to its width than the companion piece — a proportion that increases the sense of enclosure, making the interior more present in the tea practitioner's field of view. The hip cutting at the waist is the maker's most explicit formal statement: the strong diagonal lines announce authorship without signature.

The accompanying fabric (共布) is an element that serious collectors note: it indicates the bowl was stored with care from the time of completion, and that the original presentation set is intact. The tomobako autograph is in the artist's hand, the seal is the Ohi workshop seal — provenance is complete.

For a collector assembling a working tea collection or a display-quality set of Ohi work, the pairing of this bowl with its companion from the same generation presents a rare opportunity to study the range of a single master's output across two distinct kiln moments.

【基本情報】
• 作家：九代 大樋長左衛門
• 産地：大樋焼（石川県金沢市）
• 形状：飴釉茶碗（濃茶用）
• 寸法：口径10.5cm、高さ8.5cm
• 箱：共箱（作者自筆サイン・落款入り）、共布付
• 状態：キズ・お直しなし、良好

【文化・芸術的背景】
九代特有の、飴釉の中に走る暗色の縦縞は、窯内の還元雰囲気が釉薬を動かした痕跡です。腰から高台にかけての力強い削り込みは、この世代の技術的特徴であり、真作の証でもあります。共布が揃うことで、完品としての価値が高まります。

🔹 [ SHIPPING & PACKAGING ]
• Dispatch: Within 1-6 business days
• Carrier: Japan Post EMS / UPS (with tracking)
• Packaging: Carefully wrapped with protective materials