{"product_id":"shino-ware-tea-bowl-by-kato-sho-mino-white-glaze-matcha-chawan-with-signed-box","title":"Shino Ware Tea Bowl by Kato Sho - Mino White Glaze Matcha Chawan with Signed Box","description":"Experience authentic Japanese tea ceramics with this Shino Ware Tea Bowl. This Japanese Matcha Chawan serves as a Mino Pottery Art masterpiece and White Feldspar Glaze treasure, featuring Kato Sho Ceramic artistry and Wabi Sabi Tea Bowl tradition—a must-have for any Art Collector Gift seeking Traditional Mino Ware and Zen Tea Accessories.\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ BASIC DETAILS ]\u003cbr\u003e\u003cbr\u003e• Artist: Kato Sho (加藤鈔)\u003cbr\u003e• Technique: Shino glaze — thick white feldspar over iron-rich clay\u003cbr\u003e• Era: Contemporary (Heisei period)\u003cbr\u003e• Origin: Mino, Gifu Prefecture, Japan\u003cbr\u003e• Dimensions: Height approx. 6.5 cm (2.6 in), Diameter approx. 11.5 cm (4.5 in)\u003cbr\u003e• Box: Signed tomobako with red seal\u003cbr\u003e• Condition: Excellent — no chips or cracks\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ CULTURAL \u0026amp; ARTISTIC INSIGHT ]\u003cbr\u003e\u003cbr\u003eShino ware holds a singular position in the history of Japanese ceramics. Emerging in the Mino kilns of present-day Gifu Prefecture during the late sixteenth century, it was the first distinctly Japanese white-glazed pottery — a quiet revolution that established an alternative to the imported Chinese and Korean ceramics that had dominated tea culture.\u003cbr\u003e\u003cbr\u003eKato Sho carries the weight of the Mino ceramic tradition with evident understanding. This chawan displays the hallmark characteristics that have made Shino beloved among tea practitioners for over four centuries: a thick, snow-like feldspar glaze that appears to have settled naturally onto the clay surface; scattered iron oxide spots (鉄粉) that emerge like dark blossoms through the white; and subtle passages of orange fire color (緋色) where the glaze thins to reveal the warm body beneath.\u003cbr\u003e\u003cbr\u003eThe bowl's hand-formed character — visible finger-press marks, gentle asymmetry, and slightly irregular rim — speaks to the wabi-sabi aesthetic that prizes the authentic mark of the maker's hand over mechanical perfection.\u003cbr\u003e\u003cbr\u003e*\"White glaze falls like first snow — beneath it, the warm earth of Mino waits in silence.\"*\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ DEEP-DIVE COMMENTARY ]\u003cbr\u003e\u003cbr\u003e**The Shino Legacy**: Shino ware takes its name from the tea master Shino Soshin (1443-1523), though the actual pottery was developed decades after his death by Mino potters experimenting with local feldspar. The opaque white surface — revolutionary in its time — offered a canvas that complemented the green of matcha in a way no previous Japanese ceramic had achieved. Original Momoyama-era Shino bowls are among the most prized objects in Japanese tea culture.\u003cbr\u003e\u003cbr\u003e**Feldspar Glaze Science**: The characteristic Shino white comes from a thick application of ground feldspar (長石), a mineral abundant in the Mino region. When fired at high temperatures (approximately 1280°C), the feldspar melts into a viscous, semi-opaque glaze that traps tiny air bubbles, creating the distinctive soft, slightly granular surface that diffuses light rather than reflecting it.\u003cbr\u003e\u003cbr\u003e**Iron Oxide Markings**: The dark spots visible on this bowl — known as tetsufen (鉄粉) — occur where iron particles in the clay body migrate through the thick glaze during firing. These are not flaws but are deeply valued as \"景色\" (keshiki, landscape), providing visual interest and individuality to each piece.\u003cbr\u003e\u003cbr\u003e**The Kato Family in Mino**: The Kato surname resonates deeply in Mino ceramic history. Kato Kagemasa is credited as one of the founding fathers of Seto-Mino pottery, and the family name has been associated with ceramic mastery in the region for centuries. Kato Sho continues this heritage, producing bowls that honor the classical Shino vocabulary while bearing the unmistakable imprint of individual expression.\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ 日本語解説 ]\u003cbr\u003e\u003cbr\u003e【基本情報】\u003cbr\u003e• 作家：加藤鈔\u003cbr\u003e• 技法：志野釉（長石釉）\u003cbr\u003e• 時代：現代（平成期）\u003cbr\u003e• 産地：美濃（岐阜県）\u003cbr\u003e• 寸法：高さ約6.5cm、口径約11.5cm\u003cbr\u003e• 付属：共箱（朱印）\u003cbr\u003e• 状態：良好（割れ・欠けなし）\u003cbr\u003e\u003cbr\u003e【解説】\u003cbr\u003e志野焼は安土桃山時代に美濃の窯で誕生した、日本初の白釉陶器である。それまで中国・朝鮮の茶碗が主流であった茶の湯において、純粋な日本の白い器が現れたことは静かな革命であった。厚く掛けられた長石釉の柔らかな白は、抹茶の緑を最も美しく映す背景となる。\u003cbr\u003e\u003cbr\u003e加藤鈔による本品は、志野の本質的な魅力をそのまま体現している。雪のように降り積もった白釉、その合間から浮かび上がる鉄粉の斑点、釉が薄くなった部分に覗く緋色 — これらは四百年以上にわたり茶人たちが愛してきた志野の「景色」そのものである。\u003cbr\u003e\u003cbr\u003e手捏ねの痕跡が残る素朴な造形は、機械的な完璧さよりも人の手の温もりを尊ぶ侘び寂びの美意識を象徴している。使い込むほどに貫入に茶が染み込み、器は独自の表情を深めていく。\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials\u003cbr\u003e\u003cbr\u003e*White as the first silence of winter — this bowl asks nothing, offers everything.*","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61584958554482,"sku":"251101_a_1360","price":993.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/m17297433822_1.jpg?v=1770780708","url":"https:\/\/checkout.themodernzenarchive.com\/products\/shino-ware-tea-bowl-by-kato-sho-mino-white-glaze-matcha-chawan-with-signed-box","provider":"The Modern Zen Archive","version":"1.0","type":"link"}