{"product_id":"sakamoto-toshihito-iga-tabimakura-hanaire-biidoro-ash-glaze-flower-vase","title":"Sakamoto Toshihito Iga Tabimakura Hanaire - Biidoro Ash Glaze Flower Vase","description":"Experience authentic Japanese Iga ware with this Sakamoto Toshihito Iga Tabimakura Hanaire. This Biidoro Ash Glaze Flower Vase serves as a Mie Prefecture Masterwork and Tea Ceremony Ikebana Art, featuring Natural Ash Glaze and Bold Hera-me Spatula Work—a must-have for any Art Collector seeking Japanese Stoneware and Wabi Sabi Vases.\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ BASIC DETAILS ]\u003cbr\u003e\u003cbr\u003e• Artist: Sakamoto Toshihito (坂本俊人)\u003cbr\u003e• Type: Tabimakura Hanaire (旅枕花入) — travel-pillow shaped flower vase\u003cbr\u003e• Technique: Iga ware (伊賀焼) — high-fired stoneware with natural ash effects and biidoro glaze\u003cbr\u003e• Era: Contemporary\u003cbr\u003e• Origin: Iga, Mie Prefecture, Japan\u003cbr\u003e• Dimensions: Dia approx. 11.8 cm × H approx. 20.9 cm\u003cbr\u003e• Box: Tomobako (signed) with cloth wrapper and pamphlet\u003cbr\u003e• Condition: Excellent\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ CULTURAL \u0026amp; ARTISTIC INSIGHT ]\u003cbr\u003e\u003cbr\u003eIga ware occupies a singular position in Japanese ceramics. While its neighbor Shigaraki shares similar ancient lake-bed clay, Iga pushes further — into longer firings, more extreme temperatures, and a willingness to let the kiln itself become co-author of the work. The results are surfaces that no hand alone could produce: pools of biidoro (ビードロ) — natural ash melted to glass-like green — cascading over fire-scorched, coal-blackened stoneware.\u003cbr\u003e\u003cbr\u003eSakamoto Toshihito works within this tradition with full command of its vocabulary. This tabimakura hanaire bears the marks of extended dialogue between maker and kiln: relaxed throwing lines (轆轤目) that record the rhythm of the wheel, deliberate warping (ゆがみ) where the cylindrical form yields to heat, and bold spatula marks (ヘラ目) scored into the clay body with decisive authority. Nothing here is accidental. Nothing here is fully controlled. That tension is the point.\u003cbr\u003e\u003cbr\u003eThe tabimakura form — named for its resemblance to a traveler's pillow — has been a classic flower vase shape since the Momoyama period, when tea masters prized vessels that could hold a single branch or seasonal bloom with unpretentious dignity.\u003cbr\u003e\u003cbr\u003e*\"The kiln remembers what the hand proposes — and answers in ash, glass, and flame.\"*\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ DEEP-DIVE COMMENTARY ]\u003cbr\u003e\u003cbr\u003e**Biidoro (ビードロ)**: The Portuguese-derived word for glass describes the phenomenon that defines great Iga ware. During firings that can exceed 1300°C over several days, wood ash drifts through the kiln and settles on surfaces. At these temperatures, the ash melts into a natural glass — pooling in green, amber, and translucent tones where it gathers, and leaving bare scorched clay where the flame ran hottest. On this vase, biidoro cascades from the shoulder in thick rivulets, a geological record of the firing in miniature.\u003cbr\u003e\u003cbr\u003e**Iga vs. Shigaraki**: Both traditions draw from the same ancient Biwako lake-bed clay deposits, and historically their territories overlapped. The distinction lies in intent: Shigaraki tends toward warmer, earthier surfaces and more restrained forms, while Iga embraces the dramatic — deeper fire marks, more aggressive distortion, heavier ash accumulation. This vase is unmistakably Iga in character: its surface tells a story of sustained, intense firing.\u003cbr\u003e\u003cbr\u003e**The Tabimakura Form**: The travel-pillow vase emerged during Japan's Momoyama era (1573–1603), a period of bold aesthetic ambition in the tea world. Its cylindrical, slightly compressed form references the portable pillows used by travelers — a shape that suggests journey, impermanence, and the poetic associations tea masters cultivated between daily life and aesthetic experience. A single branch of plum or camellia placed in such a vessel transforms a tokonoma alcove.\u003cbr\u003e\u003cbr\u003e**Surface as Archive**: The lower body of this vase reveals fire-scorched dark brown and black zones — koge (焦げ) — where the piece faced the firebox directly. Layered over this are deep hera-me (spatula marks) that Sakamoto carved before firing, creating ridges and valleys that catch ash and flame differently. The resulting surface is a topographic map of the firing process: each zone records a different temperature, a different chemistry, a different moment in the kiln's cycle.\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ 日本語解説 ]\u003cbr\u003e\u003cbr\u003e【基本情報】\u003cbr\u003e• 作家：坂本俊人\u003cbr\u003e• 技法：伊賀焼 — 自然釉（ビードロ）・焦げ・ヘラ目\u003cbr\u003e• 時代：現代\u003cbr\u003e• 産地：伊賀（三重県）\u003cbr\u003e• 寸法：径 約11.8cm × 高 約20.9cm\u003cbr\u003e• 付属：共箱（署名入り）・布包み・パンフレット\u003cbr\u003e• 状態：良好\u003cbr\u003e\u003cbr\u003e【解説】\u003cbr\u003e伊賀焼は、古琵琶湖層の良質な耐火度の高い土を用い、長時間の高温焼成によって生まれる劇的な窯変が最大の魅力です。信楽焼と同じ土脈を持ちながら、より激しい炎の洗礼を受け入れる伊賀の美意識は、桃山時代の茶人たちを魅了し、今日まで脈々と受け継がれています。\u003cbr\u003e\u003cbr\u003e坂本俊人によるこの旅枕花入は、ゆったりとした轆轤目、大胆なゆがみ、そして勢いのあるヘラ使いが三位一体となった力強い作品です。肩から流れ落ちるビードロ（自然灰釉）は、数日にわたる焼成の中で降り積もった灰が高温で溶融し、ガラス質の緑色に変化したもの。下部の激しい焦げとの対比が、炎と灰の共作であることを雄弁に物語っています。\u003cbr\u003e\u003cbr\u003e旅枕とは、旅人が携帯した枕に似た筒形の花入のこと。桃山期以来、茶席の床の間に一輪を生ける器として愛されてきた伝統的な形です。季節の枝ものを一本挿すだけで、空間に凛とした気配が生まれます。伊賀の土と炎が刻んだ記憶を、どうぞお手元でご堪能ください。\u003cbr\u003e\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials\u003cbr\u003e\u003cbr\u003e*Ash became glass, flame became memory — and the clay holds both, waiting for a single branch to complete the conversation.*","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61591649943922,"sku":"260113_a_1493","price":908.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/m67617390725_1.jpg?v=1770951457","url":"https:\/\/checkout.themodernzenarchive.com\/products\/sakamoto-toshihito-iga-tabimakura-hanaire-biidoro-ash-glaze-flower-vase","provider":"The Modern Zen Archive","version":"1.0","type":"link"}