{"product_id":"oni-shino-tea-bowl-by-hasegawa-yoshiaki-mino-chawan-with-tomobako","title":"Oni-Shino Tea Bowl by Hasegawa Yoshiaki — Mino Chawan with Tomobako","description":"━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e🍵 ONI-SHINO TEA BOWL — HASEGAWA YOSHIAKI\u003cbr\u003e━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━\u003cbr\u003e\u003cbr\u003eA dense, volcanic presence. White shino glaze accumulated over mogusa clay — where it thins, the iron-rich body burns through in reddish-brown, as though the earth refuses to be covered. Oni-Shino chawan by Hasegawa Yoshiaki. Signed paulownia tomobako included.\u003cbr\u003e\u003cbr\u003e[ Oni-Shino chawan ] [ Hasegawa Yoshiaki ] [ Mino ware ceramics ] [ Japanese tea bowl ] [ Shino glaze pottery ] [ mogusa clay chawan ] [ tea ceremony bowl ] [ paulownia tomobako ]\u003cbr\u003e\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e📐 [ BASIC DETAILS ]\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e• Diameter: approx. 12.5 cm\u003cbr\u003e• Height: approx. 9.4 cm\u003cbr\u003e• Artist: Hasegawa Yoshiaki (長谷川義昭)\u003cbr\u003e• Technique: Oni-Shino glaze on mogusa clay, wood-fired\u003cbr\u003e• Origin: Mino, Japan\u003cbr\u003e• Condition: Excellent — no chips, cracks, or repairs\u003cbr\u003e• Includes: Signed paulownia tomobako (wooden box) inscribed 「鬼志野 茶碗」with artist's red seal; cloth (共布) included\u003cbr\u003e\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e🏛️ [ CULTURAL \u0026amp; ARTISTIC INSIGHT ]\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003eOni-Shino (鬼志野) is one of Shino ware's most demanding expressions. Where standard Shino seeks softness — milky accumulations, gentle pitting — Oni-Shino courts deliberate roughness. The clay body is built thick. The surface is worked and folded before firing, creating deep crevices and angular interruptions that the glaze must navigate. What pools in the hollows turns pale and blue-grey; what stretches over ridges thins to near-transparency, revealing the red-brown of the mogusa clay beneath.\u003cbr\u003e\u003cbr\u003eThe result is a bowl that reads as geological rather than ceramic — a surface shaped by internal forces, not by the potter's smoothing hand alone.\u003cbr\u003e\u003cbr\u003eHasegawa Yoshiaki trained in the Mino tradition, working in direct lineage with the kiln culture of Gifu Prefecture. His Oni-Shino work is characterized by a controlled violence: the form is compact and functional, but the surface refuses stillness. The undulating rim, the exposed foot, the irregular interior pooling — each is a decision made in collaboration with fire and clay, not imposed upon them.\u003cbr\u003e\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e🔍 [ DEEP-DIVE COMMENTARY ]\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003eThe ochre and white contrast that defines Oni-Shino has historical roots in Momoyama-period Mino kilns, where potters first experimented with iron-rich clays and feldspar-heavy glazes in anagama and noborigama kilns. The unpredictability of the firing — dramatic temperature shifts, ash deposits, atmosphere changes — became not a flaw to control but a collaborator to negotiate with.\u003cbr\u003e\u003cbr\u003eThis bowl carries that negotiation in its surface. Look closely at where the white glaze breaks at the shoulder: the transition from glaze to exposed clay is not a line but a gradient — the clay warming from cream into ochre into deep red-brown as the glaze thins. Inside the bowl, the glaze has pooled slightly toward the center during the firing, creating a shallow well of blue-grey that draws the eye inward. This is where the tea will sit. The bowl works with the liquid it holds.\u003cbr\u003e\u003cbr\u003eThe tomobako inscription 「鬼志野 茶碗」in the artist's own hand, sealed in red, is both documentation and declaration. In the world of Japanese tea, the box is not secondary — it is part of the object's identity, its provenance made tangible. To handle the box before the bowl is to read the introduction before the text.\u003cbr\u003e\u003cbr\u003eFor a practitioner of chado, this bowl offers immediate usability alongside deep aesthetic engagement. For a collector of Mino ware, it represents a mature statement in a demanding tradition.\u003cbr\u003e\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e【日本語説明】\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e長谷川義昭作「鬼志野 茶碗」。もぐさ土に鬼志野釉を厚くかけ、薪窯で焼成した力強い一碗です。\u003cbr\u003e\u003cbr\u003e【基本情報】\u003cbr\u003e• 直径：約12.5cm、高さ：約9.4cm\u003cbr\u003e• 作家：長谷川義昭\u003cbr\u003e• 産地：美濃\u003cbr\u003e• 状態：極美品 — 欠け・ひび割れ・修復歴なし\u003cbr\u003e• 付属品：共箱（「鬼志野 茶碗」墨書・朱印入り）、共布\u003cbr\u003e\u003cbr\u003e【文化的背景と作品について】\u003cbr\u003e鬼志野は志野焼のなかでも最も力動的な表現形式のひとつです。釉薬は凹凸の深い土の表面を流れ、窪みでは青灰色に溜まり、稜線では薄く引き伸ばされてもぐさ土の赤褐色が透けて見えます。その対比は偶然ではなく、焼成という行為と陶土の性質が対話した結果です。\u003cbr\u003e\u003cbr\u003e長谷川義昭は美濃の陶芸伝統に根ざした作家。この茶碗には、整然とした造形の中に抑制された緊張感が宿っており、使うたびに表情を変える実用的な茶器として、また美濃焼の成熟した表現として高く評価されます。\u003cbr\u003e\u003cbr\u003e【詳細解説】\u003cbr\u003e鬼志野の白と緋色の対比は、桃山時代の美濃窯に起源を持ちます。穴窯・登り窯での焼成中に起こる劇的な温度変化・灰の堆積・焔色の変化——それらを「制御すべき偶然」ではなく「協働する力」として受け入れた陶工たちの姿勢が、この様式の本質です。\u003cbr\u003e\u003cbr\u003eこの茶碗の内側には、焼成中に釉薬がわずかに中心へ流れ込んで生まれた青灰色の溜まりがあります。そこに茶が注がれるとき、釉薬の地形が液体と呼応します。共箱の墨書と朱印は、単なる証明書ではなく、物の履歴そのものです。\u003cbr\u003e\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e─────────────────────────────────────────\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61770752917874,"sku":"260412_a_2720","price":2128.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/m40565579721_1.jpg?v=1775987596","url":"https:\/\/checkout.themodernzenarchive.com\/products\/oni-shino-tea-bowl-by-hasegawa-yoshiaki-mino-chawan-with-tomobako","provider":"The Modern Zen Archive","version":"1.0","type":"link"}