{"product_id":"goki-tea-bowl-with-tantansai-14th-urasenke-grand-master-hakogaki-nijubako-double-box","title":"Goki Tea Bowl with Tantansai (14th Urasenke Grand Master) Hakogaki | Nijubako Double Box","description":"A bowl that carries the weight of lineage — ash-white glaze settling into stillness, shaped by Korean hands centuries ago, then received into the Urasenke tradition through the brush of its fourteenth grand master.\u003cbr\u003e\u003cbr\u003e🔹 [ Cultural \u0026amp; Artistic Insight ]\u003cbr\u003e\u003cbr\u003eGoki (呉器) tea bowls represent one of the most culturally significant categories within the Japanese tea ceremony canon. Originating from Korean kilns during the Momoyama period (late 16th century), these bowls were brought to Japan in the wake of Toyotomi Hideyoshi's Korean campaigns — a period when Japanese tea masters recognized in Korean everyday pottery a depth of expression that surpassed their own domestic production. The name \"Goki\" derives from the vessels' association with Korean trading ports, and the form became deeply embedded in the vocabulary of chanoyu as an embodiment of wabi — the aesthetic of austere, unforced beauty.\u003cbr\u003e\u003cbr\u003eWhat distinguishes the Goki form is its generous, open profile and relatively shallow depth, creating a wide interior surface that allows koicha (thick tea) to be whisked with a particular spatial freedom. The modest foot ring, the gentle outward flare of the rim, and the restrained glaze treatment all point to a ceramic philosophy rooted in function and humility rather than display. Within the hierarchy of tea bowls used in formal Urasenke practice, Goki bowls occupy a position of deep respect — they are vessels that speak through restraint.\u003cbr\u003e\u003cbr\u003eThe presence of Tantansai's hakogaki (box inscription) transforms this bowl from an exceptional ceramic object into a document of lineage. Tantansai Sōshitsu (淡々斎宗室, 1893–1964), the fourteenth-generation grand master of the Urasenke school, was one of the most consequential figures in modern tea culture. He guided Urasenke through the upheavals of the early twentieth century, preserved wartime-threatened traditions, and expanded tea practice to an international audience. His calligraphic inscriptions on tea utensil boxes are not mere labels — they constitute formal authentication, confirming that the object was examined by the grand master himself and deemed worthy of use within the Urasenke lineage.\u003cbr\u003e\u003cbr\u003e🔹 [ Deep-Dive Commentary ]\u003cbr\u003e\u003cbr\u003eThe glaze on this bowl presents a quiet, ash-white surface — a palette that Korean potters achieved through wood-ash glazes fired in climbing kilns. This is not a glaze that announces itself. It accumulates presence through subtlety: slight tonal shifts where the glaze pools near the foot, a faint warmth where the iron content in the clay body breathes through thinner areas. Over centuries of use in tea gatherings, the interior surface develops a patina from matcha — a living record of the bowl's participation in ceremony. The form itself sits with a grounded stability, the wide mouth inviting the guest's hands to cradle the bowl in the prescribed manner of koicha service.\u003cbr\u003e\u003cbr\u003eThe nijūbako (二重箱) — double box construction — is a significant indicator of how this bowl has been regarded across generations. An inner paulownia wood box, bearing Tantansai's brushwork directly, is nested within a protective outer box. This layered housing is reserved for objects of particular cultural standing. The inner box inscription typically identifies the bowl's classification, and Tantansai's hand confirms its place within the Urasenke tradition. The outer box provides an additional layer of physical protection, ensuring that both the bowl and the inscribed inner box survive intact across generations of careful stewardship.\u003cbr\u003e\u003cbr\u003eFor the practitioner, this bowl carries a dual authority: the ceramic integrity of its Korean origin and the institutional endorsement of the Urasenke grand master. It is a vessel that has been witnessed, named, and placed within a tradition. In the context of a tea gathering, presenting this bowl with its authenticated provenance is itself a statement — a host's acknowledgment that the objects chosen for the occasion carry history and intention beyond their material form.\u003cbr\u003e\u003cbr\u003e[ JAPANESE DESCRIPTION \/ 日本語解説 ]\u003cbr\u003e\u003cbr\u003e呉器茶碗は、桃山時代に朝鮮半島から日本にもたらされた茶碗の一類型であり、茶の湯の世界において深い敬意をもって扱われてきた器形です。灰白釉の穏やかな表情、大らかに開いた口造り、控えめな高台——その全てが、装飾を排した静かな美意識を体現しています。濃茶点前に用いられる呉器の広い見込みは、茶筅の動きに自然な余白を与え、点てる者と飲む者の間に静謐な対話を生み出します。\u003cbr\u003e\u003cbr\u003e本作には、裏千家十四代家元・淡々斎宗室（1893〜1964）による箱書が付されています。淡々斎は近代茶道史において最も重要な人物の一人であり、戦前・戦中・戦後を通じて裏千家の伝統を守り抜き、茶の湯の国際的な普及にも尽力しました。家元による箱書は、単なる銘の記載ではなく、その道具が家元自身の眼を通して吟味され、裏千家の茶の湯にふさわしい器として認められたことの証です。\u003cbr\u003e\u003cbr\u003e二重箱の仕立ても、本作が代々大切に伝えられてきたことを物語っています。淡々斎の筆跡を直接とどめる内箱を、さらに外箱が守る構造は、器そのものだけでなく、書付という文化的記録をも後世に伝えようとする意志の表れです。茶席において、この茶碗を取り出すということは、朝鮮陶磁の造形力と裏千家の伝統が交差する一点を、客と共有するということに他なりません。\u003cbr\u003e\u003cbr\u003e🔹 [ BASIC DETAILS ]\u003cbr\u003e\u003cbr\u003e- **Type:** Goki tea bowl (呉器茶碗)\u003cbr\u003e- **Origin:** Korean peninsula, Momoyama period style\u003cbr\u003e- **Authentication:** Hakogaki (box inscription) by Tantansai Sōshitsu, 14th Grand Master of Urasenke (1893–1964)\u003cbr\u003e- **Box:** Nijūbako (double box) — inscribed inner paulownia box with protective outer box\u003cbr\u003e- **Glaze:** Ash-white glaze with subtle tonal variation\u003cbr\u003e- **Dimensions:** H 6.7 cm × D 13.7 cm (approx. H 2.6\" × D 5.4\")\u003cbr\u003e- **Tradition:** Urasenke school of tea (裏千家)\u003cbr\u003e- **Use:** Suitable for koicha (thick tea) and usucha (thin tea) service\u003cbr\u003e- **Condition:** Please refer to photographs for detailed condition\u003cbr\u003e\u003cbr\u003e🔹 [ Includes ]\u003cbr\u003e\u003cbr\u003e- Goki tea bowl\u003cbr\u003e- Nijūbako (double box) with Tantansai hakogaki on inner box\u003cbr\u003e\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61738081026418,"sku":"260404_a_2633","price":11424.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/m58924093062_1.jpg?v=1775317284","url":"https:\/\/checkout.themodernzenarchive.com\/products\/goki-tea-bowl-with-tantansai-14th-urasenke-grand-master-hakogaki-nijubako-double-box","provider":"The Modern Zen Archive","version":"1.0","type":"link"}