{"product_id":"black-glaze-finger-draw-tsutsuchawan-by-suzuki-teruo-unused-exhibition-piece-signed-box-japanese-tea-ceremony","title":"Black Glaze Finger-Draw Tsutsuchawan by Suzuki Teruo — Unused Exhibition Piece, Signed Box, Japanese Tea Ceremony","description":"Experience Authentic Japan Art with this Black Glaze Finger-Draw Tsutsuchawan. This Suzuki Teruo Ceramics serves as a Signed Wooden Box Bowl and Exhibition Piece Chawan, featuring Kuro Glaze Yubigaki Pattern and Geometric Slash Design—a must-have for any Art Collector. This Handmade Japanese Cylinder Teabowl showcases Wabi Sabi Black Pottery with bold finger-drawn marks that speak the direct language of the maker's hand, making it a singular Matcha Bowl for collectors.\u003cbr\u003e\u003cbr\u003e🔹 [ BASIC DETAILS ]\u003cbr\u003e• Artist: Suzuki Teruo (鈴木照雄)\u003cbr\u003e• Technique: Kuro-yu yubigaki (黒釉指描) — black iron glaze over which the artist drew patterns with fingertips before firing, revealing the warm reddish-brown clay body beneath in bold slashing strokes\u003cbr\u003e• Form: Tsutsuchawan (筒盌) — cylindrical tea bowl, taller than wide\u003cbr\u003e• Era: 2000s–2010s (purchased at artist's solo exhibition, unused)\u003cbr\u003e• Origin: Japan (contemporary studio ceramics)\u003cbr\u003e• Dimensions: Height approx. 10.5 cm, Mouth diameter approx. 13 cm\u003cbr\u003e• Box: Original signed wooden box with artist's inscription on the interior lid\u003cbr\u003e• Condition: Unused (未使用品) — acquired directly from the artist's solo exhibition\u003cbr\u003e\u003cbr\u003e🔹 [ CULTURAL \u0026amp; ARTISTIC INSIGHT ]\u003cbr\u003eThe yubigaki (指描き) technique — drawing through wet glaze with the fingertips — is among the most direct and intimate methods available to the ceramic artist. There is no intermediary tool: only the maker's hand, the glaze, and the clay. The resulting marks are irreversible, made at speed, and wholly dependent on the practitioner's confidence and physical intelligence. In this tsutsuchawan by Suzuki Teruo, bold diagonal slashes and angular geometric passages expose the warm iron-rich clay body beneath the black glaze in strokes that recall calligraphic brushwork scaled to the full volume of the vessel.\u003cbr\u003e\u003cbr\u003eThe tsutsuchawan form — cylindrical, with straight or gently flaring walls — has a specific seasonal resonance in Japanese tea practice. Its enclosed shape retains heat exceptionally well, making it the preferred form for winter tea gatherings, particularly after November's炉開き (rō-biraki), when the sunken brazier replaces the portable one and the tea room closes in around the warmth of a single bowl.\u003cbr\u003e\u003cbr\u003eThe deep black of the kuro-yu glaze contains multitudes: in candlelight, iridescent green-brown passages emerge from within the blackness, as if the glaze itself breathes. The contrast between the liquid darkness of the fired surface and the raw terra-cotta tones of the exposed clay creates a landscape — the word \"keshiki\" (景色) is precisely right here — that shifts with every angle of observation.\u003cbr\u003e\u003cbr\u003ePOETIC LINE: \"Where his fingers passed through the black, the earth remembered itself — warm, particular, alive.\"\u003cbr\u003e\u003cbr\u003e🔹 [ DEEP-DIVE COMMENTARY ]\u003cbr\u003eYubigaki as a decorative approach occupies a long lineage in Japanese ceramics, appearing in Oribe ware's bold brushwork and in the free gestural traditions of folk kilns such as Onta and Tamba. The technique derives its authority not from precision but from singularity: because each stroke is drawn freehand through wet glaze with the pad of a finger, no two yubigaki bowls can be identical. This inherent uniqueness aligns with the core wabi-cha philosophical principle — that the unrepeatable moment, the single encounter (ichi-go ichi-e), is where beauty resides.\u003cbr\u003e\u003cbr\u003eThe kuro-yu (black iron glaze) tradition spans from the Tenmoku bowls brought from Chinese Jian kilns by Kamakura-period Zen monks to the indigenous Japanese kuro-Satsuma and kuro-Raku lineages. In each tradition, the challenge is the same: to achieve a glaze that is fully molten and deeply black without running destructively down the vessel walls. The matte-to-semi-gloss surface of this bowl, with its speckled texture where the iron compounds have partially crystalized, shows a technically well-controlled yet expressively free firing.\u003cbr\u003e\u003cbr\u003ePurchased directly at Suzuki Teruo's solo exhibition and retained in unused condition, this tsutsuchawan carries with it a clear provenance chain from artist to collector — a rarity in the contemporary studio ceramics market. The artist's box inscription on the interior lid authenticates the piece in the traditional Japanese manner. For the collector seeking a working-scale art object that can be used in daily matcha practice, this tsutsuchawan offers uncompromised artistic expression in a form designed for the human hand.\u003cbr\u003e\u003cbr\u003e🔹 [ 日本語解説 ]\u003cbr\u003e【作品詳細】\u003cbr\u003e作家：鈴木照雄\u003cbr\u003e技法：黒釉指描（くろゆびがき） — 黒鉄釉を施した素地に指先で直接模様を描き、素焼きの温かみある赤褐色の土肌を露出させる技法\u003cbr\u003e形状：筒盌（つつわん） — 円筒形の茶碗\u003cbr\u003e時代：2000年代〜2010年代（個展にて直接購入の未使用品）\u003cbr\u003e産地：日本（現代工芸）\u003cbr\u003e寸法：高さ約10.5cm、口径約13cm\u003cbr\u003e箱：共箱付き（蓋裏に作家による箱書きあり）\u003cbr\u003e状態：未使用品。個展で直接入手した一点\u003cbr\u003e\u003cbr\u003e【文化・芸術的解説】\u003cbr\u003e指描き（ゆびがき）は、道具を介さず作り手の指先が直接釉薬に触れる、最も直接的な装飾技法のひとつです。本作では大胆な斜線と幾何学的な角線が黒釉の表面を割り、その下の赤褐色の胎土をまるで書の一筆のように露出させています。これは制作者の身体的な知性と速度から生まれる表現であり、二度と同じものを作ることができない、一期一会の景色です。\u003cbr\u003e\u003cbr\u003e筒盌の形状は熱を逃しにくく、炉開き以降の冬の茶席で特に重宝されます。深い黒の釉肌は光の角度によって緑褐色の虹彩を見せ、指先が通った跡の温かい土色との対比が、見るたびに新しい景色を発見させてくれます。\u003cbr\u003e\u003cbr\u003e【深層解説】\u003cbr\u003e指描き技法は織部焼の大胆な筆描きや、小鹿田・丹波などの民窯の自由な造形伝統に連なる長い系譜を持ちます。釉薬が指先によって「割られる」ことで生まれる表情は、一期一会の茶道哲学と深く共鳴します。黒釉の系譜は、鎌倉期に中国建窯から伝わった天目碗から、薩摩の黒もの、楽焼の黒楽まで広く展開してきました。\u003cbr\u003e\u003cbr\u003e個展で直接購入・未使用のまま保存された本作は、作家から手元への明確な出所を持つ現代工芸の稀少な一点です。共箱の蓋裏に作家自筆の箱書きがあり、伝統的な方法での鑑定が可能です。日常の抹茶使いに耐える実用性と、美術品としての表現力を兼ね備えた筒盌です。\u003cbr\u003e\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61880404115826,"sku":"260526_a_2923","price":1116.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/m84692718643_1.jpg?v=1779796579","url":"https:\/\/checkout.themodernzenarchive.com\/products\/black-glaze-finger-draw-tsutsuchawan-by-suzuki-teruo-unused-exhibition-piece-signed-box-japanese-tea-ceremony","provider":"The Modern Zen Archive","version":"1.0","type":"link"}