{"product_id":"aka-raku-tea-bowl-named-zuiun-by-sasaki-shoraku-daito-ji-temple-box-inscription-japanese-chawan","title":"Aka Raku Tea Bowl Named Zuiun by Sasaki Shoraku — Daito-ji Temple Box Inscription, Japanese Chawan","description":"Experience Authentic Japan Art with this Aka Raku Tea Bowl Named Zuiun. This Japanese Chawan by Sasaki Shoraku serves as a Ceremonial Matcha Bowl and Collector Tea Ceremony Piece, featuring Hand-Built Raku Ceramics and Daito-ji Temple Box Inscription — a must-have for any Art Collector seeking Wabi Sabi Pottery or a Named Tea Bowl Gift.\u003cbr\u003e\u003cbr\u003e🔹 [ BASIC DETAILS ]\u003cbr\u003e• Artist: Sasaki Shoraku (佐々木松楽)\u003cbr\u003e• Named: 「瑞雲」Zuiun — \"Auspicious Clouds,\" signifying felicitous omens, prosperity, and celebration\u003cbr\u003e• Technique: Aka Raku (Red Raku) with dramatic kuro (black) glaze flooding — hand-built and low-temperature fired\u003cbr\u003e• Era: Before 2007 (post-war Kyoto studio tradition)\u003cbr\u003e• Origin: Kyoto, Japan (Raku kiln tradition)\u003cbr\u003e• Dimensions: Height approx. 8.2 cm, Diameter approx. 12.3 cm\u003cbr\u003e• Box: Original signed wooden box (tomobako) with box inscription (hakogaki) by Fukumoto Sekio, former head priest of Hōrinji Temple, Daito-ji school — a prestige endorsement of exceptional rarity\u003cbr\u003e• Accessories: Tomobako, tomobuno (matching cloth), shiori (leaflet)\u003cbr\u003e• Condition: Excellent used condition — no cracks, no leaks (30-minute water test performed), no odor. Minor patina consistent with authentic use\u003cbr\u003e\u003cbr\u003e🔹 [ CULTURAL \u0026amp; ARTISTIC INSIGHT ]\u003cbr\u003eRaku ware stands as the most intimate ceramic tradition in Japanese tea culture. Born from the collaboration between Sen no Rikyu and the tile-maker Chojiro in sixteenth-century Kyoto, Raku bowls were conceived to serve the philosophy of wabi-cha — a tea aesthetics that found beauty in imperfection, silence, and the warmth of a single hand.\u003cbr\u003e\u003cbr\u003eAka Raku, or Red Raku, occupies a particularly significant place within this lineage. Unlike the subdued graphite of Kuro (Black) Raku, the aka body glows with an earthy warmth that embodies the heat of the kiln and the vitality of life itself. The colour arises not from pigment alone but from the nature of the low-fire oxidation atmosphere, the local Kyoto clay, and the particular hand pressure of each shaping — variables that cannot be precisely repeated.\u003cbr\u003e\u003cbr\u003eWhat makes this bowl exceptional is the sweeping kuro glaze that descends from the rim in bold, cloud-like passages. The dark glaze pools and thins unpredictably, revealing the warm terracotta beneath in irregular windows of colour. Seen from above, the meeting of black and red creates a topography reminiscent of thunderclouds parting to reveal the dawn sky — the very visual poetry that justified the name 「瑞雲」 Zuiun, \"Auspicious Clouds.\"\u003cbr\u003e\u003cbr\u003eThe box inscription by Fukumoto Sekio (福本積應), former Jushoku (head priest) of Hōrinji, a sub-temple of the Daito-ji school in Kyoto, elevates this bowl beyond the aesthetic into the realm of spiritual endorsement. In tea culture, a zenso hakogaki — a written attribution by a Zen master — is among the rarest and most valued forms of certification. It confirms not only authenticity but the object's suitability for ceremonial use at the highest level of chado practice.\u003cbr\u003e\u003cbr\u003ePoetic Line: \"The black clouds part above warm embers — an auspicious dawn, held within both hands.\"\u003cbr\u003e\u003cbr\u003e🔹 [ DEEP-DIVE COMMENTARY ]\u003cbr\u003eRaku ware is technically defined by three characteristics that distinguish it from all other Japanese ceramics: hand-building (without a potter's wheel), low-temperature firing (approximately 750–1100°C), and individual firing — each bowl placed alone in a small kiln. This controlled yet unpredictable process produces surfaces of astonishing tactile variety: soft matte passages, glassy pooled areas, and zones of transition where clay and glaze meet in conversation.\u003cbr\u003e\u003cbr\u003eSasaki Shoraku belongs to a distinguished lineage of Kyoto ceramicists working in the Raku tradition. The name \"Shoraku\" (松楽) evokes the serenity of pine trees and the joy of craft — a name chosen to embody the meditative spirit of raku production. Works bearing this signature are collected across Japan and by international institutions familiar with the lineage.\u003cbr\u003e\u003cbr\u003eThe black glaze visible on this bowl is applied in broad, gestural passages — not painted with precision, but poured or brushed in a single expressive motion. During firing, the glaze contracts and flows under heat, producing the characteristic irregular edges and gradients that make each raku bowl absolutely unique. No two firings produce the same result; the potter sets the conditions and the kiln completes the composition.\u003cbr\u003e\u003cbr\u003eThe name Zuiun (瑞雲) carries deep cultural resonance in Japanese aesthetic tradition. Auspicious clouds appear throughout Japanese Buddhist iconography, painting, and poetry as symbols of divine presence, propitious timing, and the arrival of good fortune. A chawan named Zuiun is traditionally used in new year ceremonies, celebratory tea gatherings, and occasions marking significant life events — the name becomes part of the object's biography, giving it a ceremonial role that a nameless bowl cannot hold.\u003cbr\u003e\u003cbr\u003eFor the advanced collector, the combination of Sasaki Shoraku's craftsmanship, the bold aka-raku form, and the Daito-ji school hakogaki creates a provenance triangle of rare value: artistic merit, material quality, and institutional endorsement. Such pieces move between serious collections and rarely appear on the open market. Acquiring one with this complete provenance — tomobako, tomobuno, shiori, and signed box inscription — is an opportunity of genuine distinction.\u003cbr\u003e\u003cbr\u003e🔹 [ 日本語解説 ]\u003cbr\u003e【基本情報】\u003cbr\u003e作家：佐々木松楽\u003cbr\u003e銘：「瑞雲」— めでたい兆しを意味し、慶事や新春の茶席で用いられる格調高い銘\u003cbr\u003e技法：赤楽茶碗に黒釉が流れ込む劇的な景色を持つ手づくり楽焼\u003cbr\u003e産地：京都（楽焼の伝統）\u003cbr\u003e寸法：高さ約8.2cm、径約12.3cm\u003cbr\u003e付属：共箱・共布・栞付き\u003cbr\u003e箱書：大徳寺派 法林寺 前大徳 福本積應師による格調高い禅僧箱書\u003cbr\u003e状態：中古・美品。水漏れ・ニュウ・臭いなし（30分水漏れチェック済み）\u003cbr\u003e\u003cbr\u003e【文化・芸術的解説】\u003cbr\u003e楽焼は日本の茶文化において最も内省的な陶芸の伝統です。十六世紀、千利休と瓦師・長次郎の協働によって生まれたこの様式は、侘び茶の哲学——不完全の美、静寂、そして器と掌の対話——を具現化するために考案されました。\u003cbr\u003e\u003cbr\u003e赤楽は、黒楽の沈んだ炭色とは対照的に、窯の炎が宿るような温かみのある赤褐色を持ちます。その色は酸化焔焼成、京都の土、そして作家の手の圧力が複雑に絡み合って生まれるものであり、まったく同じ結果は二度と生まれません。\u003cbr\u003e\u003cbr\u003eこの茶碗の最も印象的な特徴は、口縁から大胆に流れ落ちる黒釉です。黒が厚く溜まる部分、薄れて赤が透ける部分、そして両者が出会う曖昧な境界線——その景色は、暗雲の間から暁光が差し込む刹那を思わせます。まさに「瑞雲」の名に相応しい、吉祥の気配を湛えた器です。\u003cbr\u003e\u003cbr\u003e福本積應師（大徳寺派法林寺前住職）による箱書は、単なる真正性の証明を超えた意味を持ちます。禅僧による箱書——禅僧箱書——は茶道の世界において最も格の高い鑑定であり、この茶碗が最高水準の茶席に用いられるに足る器であることを示す、精神的な保証です。\u003cbr\u003e\u003cbr\u003e詩的一文：「黒雲が割れる、熱い灰の上に——吉祥の夜明けを、両の掌に抱く。」\u003cbr\u003e\u003cbr\u003e【詳細解説】\u003cbr\u003e楽焼は手づくり・低温焼成・個別焼成という三つの特性によって他のすべての日本陶芸と区別されます。摂氏750〜1100度の窯の中で、釉薬は予測を拒み、流れ、収縮し、自らの形を定めます。作家が条件を整え、窯がその仕上げを担う——これが楽焼の哲学であり、茶道の「一期一会」と根本で通じています。\u003cbr\u003e\u003cbr\u003e佐々木松楽は、松の静寂と工芸の喜びを名に宿した京都の陶芸家です。松楽の銘を持つ作品は日本国内外の茶道具コレクターに珍重されており、その様式は楽焼の正統な継承を示しています。\u003cbr\u003e\u003cbr\u003e「瑞雲」という銘は日本の美術・仏教図像において深い文化的共鳴を持ちます。瑞雲は神仏の出現、吉兆、そして人生の節目を象徴する意匠として、絵画・工芸・詩歌に繰り返し現れてきました。この銘を持つ茶碗は、新春の茶事や慶事の席において特別な役割を担い、器の美学と機会の意味が一体となります。\u003cbr\u003e\u003cbr\u003e作家の力量、力強い赤楽の造形、大徳寺派の禅僧箱書——この三つが揃った作品は、美術的価値・物質的品質・機関的保証の三角形を形成する稀有な存在です。共箱・共布・栞すべてが揃ったこの一点は、真剣なコレクターにとって見逃し難い機会です。\u003cbr\u003e\u003cbr\u003e🔹 [ SHIPPING \u0026amp; PACKAGING ]\u003cbr\u003e• Dispatch: Within 1-6 business days\u003cbr\u003e• Carrier: Japan Post EMS \/ UPS (with tracking)\u003cbr\u003e• Packaging: Carefully wrapped with protective materials","brand":"The Modern Zen Archive","offers":[{"title":"Default Title","offer_id":61880402149746,"sku":"260526_a_2905","price":893.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0960\/5680\/3698\/files\/2JRMQf2W5cQ9i4Kk3DQPWy.jpg?v=1779795546","url":"https:\/\/checkout.themodernzenarchive.com\/products\/aka-raku-tea-bowl-named-zuiun-by-sasaki-shoraku-daito-ji-temple-box-inscription-japanese-chawan","provider":"The Modern Zen Archive","version":"1.0","type":"link"}